I suppose it is because of the long winter weeks of relative stillness in the garden that we eagerly await the first signs of new life: the first grey green tip of the daffodil’s leaves pushing through the soil, the lengthening of the flower stalk, the swelling of the bud and the first hint of colour and, then, the pleasure of seeing the open trumpet in all its glory. And how apt that daffodils are one of the few flowers that have trumpets, for the sight of them, whether just a few or en masse, herald the start of the floral year with a fanfare of pleasure as great as any orchestral masterpiece.

Narcissus ‘Ice Follies’
I can be incredibly opinionated, as many of you will know, where plants are concerned. I tend to prefer simple, unimproved varieties – fancy colours and doubles, or those described as having the largest flowers ever seen, can be left for others to grow. I can see no reason why, for example, a bloom “as big as your face” (as I saw one begonia described) is considered desirable. I am not keen on double daffodils as they nearly always seem to be top heavy. The slightest puff of wind or shower of snow and the heads sit face down on the ground where they remain to be eaten by slugs. Ice King is a variety I plant – although hardly to be described as a favourite – as it stands fairly well. In the photo one bloom has collapsed which rather proves a point.
Salome, is a bi coloured variety, the trumpet changing from a rich yellow to a peachy shade as it fades. I can never decide if I really like it or not. Here, in the photo below, it gives a warm glow to the border. However, what can be more charming the pure simplicity of Segovia? Its delicate yellow cup and pure white, evenly spaced petals (or perianth, if we want to be horticulturally correct) give it the look of a plant that has quiet superiority.
Whatever your personal preference, daffodils are a joy and amazing value for money. With individual bulbs just costing pence each and increasing year by year if left to naturalise, it is always remarkable that after a few short weeks, we cannot wait to see them gone, being tired of their gently decaying leaves which interfere with our border work or mowing regimes.




















So what is cheese rolling? A 7lb Double Gloucester cheese is set in motion from the top of the steep hill – and it can reach speeds up to 70 miles per hour – and us ‘locals’ then chase it. The first person to reach the bottom and cross the line is the winner. Yes, you are right -it is another barmy English tradition.
When you arrive at Stoke Pero, there is no cosy village green scene to greet you, for the church serves a widely scattered community. The wind cuts across the open land with an icy blast and even the church seems to be hunkered down against it, squatting in a dip in the land. As you enter the porch an old sign reminds you why.

The doorway to the belltower is tiny – so narrow that only the slimmest can enter. Despite its size it has a degree of solidity about it. The main door to the church is the opposite – a massive piece of oak with letters and symbols scratched into its surface. To date, the meaning of these remain unknown. Any ideas, anyone? 


The tiny clifftop hamlet of Countisbury – the far distant horizon is the south coast of Wales



Getting too close for their comfort, they were soon up on their feet and ambling away. In a matter of moments their camouflage made the moorland look empty once again.


Turville, is a tiny village, hidden deep in a valley in the Chiltern Hills and is close to where I was born and spent the greatest part of my life (I only came to the secret valley nine years ago). The Chilterns is a place of steep hills, thick with beechwoods that seem to hang onto their very sides – many use the word in their names: Old Hanging Wood near Hughenden, for example. The villages, as a consequence, seem tucked away and forgotten, yet they lie only some 30 miles west of London.
Chalk and flint are the geological features that make the Chiltern Hills what they are and you are never far from them for the topsoil is thin, as all Chiltern children soon learn. Childhood games need chalk for drawing hopscotch and the flint cuts deep into knees when falling over. Flint also is, or was, the favoured building material for houses and Turville has plenty of fine examples, even the church is made from it.

No English village is complete without its pub and Turville is no exception. The Bull and Butcher stands almost in the road. Less common are windmills and Turville lays claim to Cobstone Mill (which really ‘belongs’ to the neighbouring village of Ibstone), standing high above on a steep hilltop. The windmill, like the village has been used in many films such as Chitty, Chitty, Bang Bang and the 101 Dalmatians. In the latter, when the road outside became covered in machine made ‘snow’ I drove past confused – for there were still traces of the snow and it was midsummer. We also had no water for several hours as the filming had used up the village supply in the making of it.
Turville is popular both with the film crews and visitors because it is so ancient and unspoilt. To get photos like these you have to visit on a grey, winter’s weekday as weekends, especially fine, summer ones, find the narrow lanes choked with cars. The village is so unchanged that even the warning roadsigns, like this old schoolchildren one are decades out-of-date!

Now people get very excited by upturning the flowerhead so they can see a slightly larger speck of green on the bloom or scrabbling about on their knees in search of the single rarity that lurks amongst the ordinary – and good luck to them. Call me boring or unimaginative if you want but just give me bog standard Galanthus nivalis any day – preferably in their thousands. This really is a case where more is best as the carpets of snowdrops that flower in the garden of the house that was built for me two hundred years ago proves. (Readers of this blog may remember the 
Well, yes, there could be. My death next time round should be marked with the Winter Aconite, Eranthis hyemalis. There is something very cheering and positive about their bright yellow, perhaps it is because we crave some strong colour after a long winter. It is the same shade as the yellow daffodils and also of forsythia. By the time these have finished, weeks later, we are fed up with it and find it all rather garish. But in January we start to notice the little ruffs of green leaves pushing through the ground and, quite suddenly, the flower is opening its blooms. I hadn’t noticed before just how similar the individual flowers are to a buttercup when fully open. Not surprising really, as they all belong to the same family, Ranunculaceae. The aconite, I assume, is so-named beacause of the similarity of the leaf with the tall herbaceous aconites, Aconitum.
Neither snowdrops or aconites are native to the British Isles although both naturalise well and, given time, will occupy large areas. Conditions in this country must favour the snowdrop for snowdrop woods, whilst not common, are found with relative ease and are nearly always associated with a large country house. A much greater rarity is the aconite wood and I know of only one and heard of only one other. To visit it is an extraordinary experience for it is difficult to walk through the tens of thousands of plants that carpet the ground. This wood is also attached to a country estate but rarely visited and away from public paths. Perhaps that is why it has survived.
I found them again recently, tucked away and near forgotten, for my father died 30 years ago and my mother more recently. And these days, what do we do when we are curious – we Google. First searches threw up nothing until I entered the text Das is im Leben hässlich eingerichtet which, translating to The ugly thing in life is set up, whilst sounding not very promising, turned out to reveal part of an epic poem by Joseph Victor von Scheffel, written in 1853. Don’t worry, I hadn’t heard of him either! The poem was The Trumpeter of Säckingen.
The town of Bad Säckingen (the Bad was added to the name in 1978) is in southern Germany on the banks of the Rhine, between the Black Forest and the Swiss border. In 1854 von Scheffel published his epic but it was not until some years later that it became popular. By 1884 it had been turned into an opera with music by Nessler and in 1918 a silent movie had been filmed using over 200 local people as extras. The opera is still performed today at the open air festival (Festspielgemeinde) in the town. There is also a museum devoted to Scheffel and the Trumpeter.
So who was the Trumpeter? Franz Werner Kirchofer was born in 1633, of common birth, who fell in love with Maria (Margarethe), the daughter of a noble family that resided in the town’s castle. Against all the family’s wishes the couple were finally married in 1657, raising five children. Their gravestone beside the cathedral tells the story of their love – a truly romantic tale and one with a happy ending. The castle still stands, now owned by the town, and is surrounded by public park and gardens, it also houses the Trumpeter museum.
A trip to Germany now seems probable at some time in the future so that I can see the castle that I first came across fifty years ago but only very recently knew existed. The power of the internet, as we all often mention in our blogs, never fails to throw up surprises. And it led me to the town’s 

I think the reason we may behave like this is because English weather is nearly always gentle. The landscape that makes up England is beautiful and can be dramatic but not in the way of so many other countries. Take the USA, for example. Where’s our Grand Canyon, our towering redwoods, our Rocky Mountains, our Great Plains and our Niagara Falls? We have them in miniature and, perhaps, that is just as well as we are such a small country. And likewise, our weather: we have heatwaves, we have floods, we have blizzards. But they are rarely anything truly spectacular (except to those poor people affected by them, of course). And so when we were told by the weather men in 1987 that reports of a hurricane were completely exaggerated, we believed them totally. And despite the fact that much of the country was hit hard by it when it arrived, my part of the Chiltern Hills where I lived at the time was not much affected, even though it is one of the most wooded parts of the country.
The night in January 1990 was different. This time we had winds, whilst not as severe as three years earlier, which created total havoc with the already weakened root systems of the trees. Great swathes of the magnificent beech woods that are the very heart and soul of the Chilterns were flattened in a couple of hours. (I am reminded by my partner, that as the rest of the world cowered in their beds as the trees came crashing down all around, I woke up to say “a bit windy out there” before falling asleep again). As dawn broke the true damage could be seen.
Fast forward twenty years to 2010 and the woodands are transformed. Those of us that remember the 200 year old beech know that the majority are gone and, in their place, are new trees of mixed species. It will be many years before the magnificence of the woods return but they are healing. This photo below is taken from the same spot as the one above. Some of the biggest old stumps have been left, too difficult to move – time has hardly changed their appearance apart from their ‘roof’ of mosses.
One of the unforeseen benefits of the hurricane is the increased amount of light reaching the woodland floor, for beech trees cast a dense shade where little can grow, other than where the canopy is lightest. Apart from the view to the valley below, which was unseen before, many wild flowers are better now than ever. Roll on April when we can see the blue carpet of tens of thousands of bluebells disappearing into the distance.
Oh! And I nearly forgot to say, the weather today is a mix of sunshine, cold winds, rain and sleet. Don’t forget to tell the next person you meet!