Take Ten Roses

Over the years, as part of my work as a garden creator, I’ve had the pleasure of planting several rose gardens, mostly on quite a modest scale.  However, that changed four years ago when I was asked to design a garden from what was a steeply sloping area close to the house.  I had just retired and so the client, whom I’d known for many years, agreed that I would only create the design and oversee the purchase of plants but everything else others would do.  In effect, it meant that I had all the fun tasks without having to commit to working endless hours as their own team of builders and gardeners would do all the hard labour.  Just as well, as the end design involved considerable earth moving and wall building…

The rose garden will be in the middle section
The rose garden laid out but still some way to go before planting…

The change of levels meant that a sizeable terrace was needed and at 25m x 8m (82ft x 26ft) I proposed that this would be the perfect place for a formal rose garden.  Roses are beautiful when in flower but look dreary during the winter, especially when seen en masse.  Here they would be hidden from view but during the warm, summer months their heavy scent would rise to entice the garden visitor to literally follow their nose.  Reaching the steps that lead down to the parterre they are hit by a dazzling display of colour creating a (good) visual shock.  With the shelter and warmth provided by the terrace walls and some yew hedging, the roses have thrived.  The photo below was taken this week, just over three years since they were planted.

The rose garden three years after planting

Walking through the parterre I was pleased that I had decided to plant just four varieties, all with rich, vibrant blooms.  However, it also made me ponder on the countless roses that I have grown over the years and which were, to me at least, the best.  Could I restrict myself to just choosing ten?  Well, here goes and not in any special order. 

More images from the rose garden

Queen of Sweden   Surely this must be everybody’s idea of what the perfect rosebud should look like?  It’s a tall, upright rose not unlike the Queen Elizabeth rose although I think it has the edge on that one.  I have only ever grown it in one garden and perhaps unsurprisingly, the owners were Swedish.  I like to think that hasn’t influenced my choice!  It’s good as a cut flower and excellent as a buttonhole.

The Queen of Sweden rose

Rosa de Rescht   I first came across this heavily scented moss rose in the garden of an elderly artist where she grew it as a low hedge lining a pathway.  Over the years, I got to know her well and she told me it had been planted by her mother when she was a child, so it is obviously a long-lived and trouble-free variety.  It is upright, suckers freely but in a good way which means that it never looks straggly or sparce.  Best of all, the suckers flower true to type so can be used elsewhere.  I was given some several years before the artist died and they have flourished in my own garden.  They are disease free and I have discovered that they thrive equally well in semi-shade under trees.  You can read more about this rose here.

Rosa de Rescht, a moss rose

Rosa Ghislaine de Feligonde   This is quite a ‘new’ rose to me.  A climber, I planted it to scramble along the top of a garden wall in a client’s garden where instead it sulked for about three years at its foot.  I was about to remove it as a failure when it suddenly put on a spurt of growth to become the beauty that it is now.  Is it slow to establish or was it just slow in that particular spot?  I don’t know the answer but how glad I am that I didn’t condemn it to the bonfire.

Rosa Ghislaine de Feligonde

Rosa Weichenblau   The so-called ‘blue’ roses are not everybody’s cup-of-tea and I have mixed feelings about them.  Some I love, others, I’m not so keen.  That’s mostly down to colour as the blueness can vary in intensity.  I like this rambling rose enough to have it in my own garden where it flowers happily along an old wooden fence filling the garden with perfume for a relatively short period of time.  This one I tend to let travel where it wants as periodically quite large lengths of it suddenly die.  I’ve never worked out quite why and it doesn’t really matter too much – I just prune it out and fill the space with the new growth which it regularly sends out.

A love it or hate it rose: Weichenblau

The Crocus Rose   A pale, creamy beauty from David Austen.  I grew this shrub rose in a border combined with apricot-coloured roses; the spaces in-between filled with tall spikes of blue campanula and purple salvias.  All were contained behind a clipped box hedge and it created a lot of interest.  One of the advantages of being a working gardener (I always feel the term ‘professional gardener’ sounds rather dismissive to all those very talented and knowledgeable home gardeners) is that I get the opportunity to experiment with both plants and planting styles and in many different sorts of soils.  However, in this instance, I’ve never tried to recreate it despite its success.

The Crocus Rose

Rosa x odorata ‘Mutabilis’   I find this a fascinating shrub rose as it has all the colours of the sunset in one flower: the buds start a very deep pink, the flowers open to a rich pink and gradually fade to apricot.  The result is this multi-coloured rose which, with its single flowers being produced prolifically and over a very long period, the effect is mesmerising.  It is an open shrub rose with rather wiry, lax branches and so it can get a bit straggly over time.  I’ve found that it responds to quite hard pruning although it isn’t as fast to recover as the modern hybrid roses.  In my present garden it copes with quite windy conditions, and in one place it has sneaked its way in amongst a wall-grown climbing rose where it has reached a height of five feet.  I’ve never tried growing it solely in this way, it would be interesting to find out how it looked.  This plant has had several name changes over the years so you may find it offered for sale as Rosa chinensis ‘Mutabilis’ or just Mutabilis Rose.

Rosa x odorata ‘Mutabilis’

Gertrude Jekyll    Named after the Edwardian garden designer, this vigorous rose is usually sold as a climber where it can reach ten feet.  However, if pruned hard each winter and then pruned into shape, it can be grown as a modest sized shrub.  Either way you’ll be treated to these superb blooms.  I grow it as a climber but I do prune some stems quite hard to make sure that I have growth of all heights.  Left to itself all the flowers will be high above eye level on long stems which make fabulous cut flower arrangements in tall vases.

Gertrude Jekyll, usually grown as a climber

Blush Noisette    Probably best described as a short climber.  My experience is growing it in the corner of a high wall where I only tie in the occasional branch, the rest remaining free yet upright.  It is smothered in these small, almost double flowers and if regularly dead-headed will flower throughout the summer.  Completely trouble-free, it never seems to get attacked by disease or pests.

Blush Noisette

Rosa glauca    Don’t be fooled by the garden catalogues showing a pretty pink almost star-like flower for, as can be seen in the lower left corner of the image below, they are fairly insignificant.  This rose (sometimes sold as Rosa rubrifolia) is grown for the colour of its young leaves and stems, making it much more of a foliage plant.  A shrub rose, if left to its own devices the colour fades: to maintain its colour interest it needs to be quite hard pruned during the winter to encourage new growth.  In the photo below, I planted a trio of them in an herbaceous border with the poppy ‘Patty’s Plum’ in their centre.  This poppy always collapses just as it flowers and, as I hoped, here it has become caught on the rose thorns saving me the task of staking and tying them in.  I treat the roses as if they were herbaceous plants and so they are cut to within a few inches of the ground in early winter along with all the other plants in the border.

The poppy ‘Patty’s Plum’ growing through Rosa glauca

Dog Rose   It may surprise you to find included here our wild rose of the hedgerows, Rosa canina.  I’ve only ever grown it once and that is here in my own garden.  Appearing as an unasked-for bird-sown seedling at the foot of iron estate fencing, any attempt I made at cutting it out only increased its vigour.  I don’t like using weedkillers much and so I accepted defeat and decided to try and tame it instead.  We have reached a truce: I prune out only the longest stems it continually produces and it, in return gives me a splendid, if short-lived display of beautiful pink and white blooms that the bees and other insects love.  Left on, I then have another display of bright red rosehips through early winter after which, it has a severe haircut.  The result has become the talking-point of our garden.   As I have learnt over the years, sometimes the most unexpected plants or combination of plants give the greatest pleasure.

A bird-sown wild Dog Rose growing on a garden fence

2021: A Year in Review – part 1

With restrictions on movement and socialising for much of the year, 2021 was definitely the year to remember times past, be it visits to favourite haunts or thinking about friends and family. As it was in the real world so it was in the blogging world.

In January my memories took me across the sea to Ireland and a visit to Clonegal, in Co. Carlow. Ireland is a beautiful country with an ancient history. The visit to Huntington Castle, very much still a family home, was very worthwhile as the building itself was interesting, and the gardens, perhaps because they weren’t ornate, relaxing to walk around. A visit to the cellars is a must for it is now a Temple dedicated to Isis. The Fellowship of Isis, started by members of the family, was recognised as a world faith in 1993. I found the ornate decoration rather too theatrical for my taste, reminding me of a scene from an Agatha Christie novel. Take a look at the post by clicking on the link here and tell me what you think.

Huntington Castle in the south of |reland

By February the earliest signs of the forthcoming spring are beginning to show. In the garden snowdrops and aconites are in full flower; in favoured spots early daffodils are starting to bloom. In the hedgerows hazel catkins hang in clusters shedding clouds of their golden pollen in the slightest breeze. Hazel, a native shrub, is also a useful one to grow in the garden. It’s pliable stems can be used in a myriad of ways – cut as pea-sticks, or growing into intriguing living tunnels. February’s blog post concentrated on these uses and looked at the ancient art of coppicing – a method of extending the life of the plant and providing plentiful cover for wild birds, animals and flowers. Described as an art, it is however, a very simple technique. Click on the link here to find out more.

Catkins or Lamb’s Tails – harbingers of Spring

International Women’s Day occurs in March and I focused on the life of Lettice Fisher, the founder of the National Council for the Unmarried Mother & Child in 1918. Later, the charity changed its name to Gingerbread. A suffragette and economist, Lettice was also a cousin of my father and so family history came to the fore in this post (link here). Later in the year, the focus turned to her husband, H A L Fisher and his story but for March Lettice was the rightful star of the show.

Lettice Fisher, an ancestral cousin

In April, I was able to visit friends for a long weekend, a real treat after all the restrictions. I took the opportunity to go for a long walk in beautiful countryside. Rutland is England’s smallest county and was also the home of the poverty-stricken ‘peasant poet’ John Clare born in 1793. The walk took me past the old lime kiln where he worked and the village where he was raised – his poem The Ruins of Pickworth can be read in the blog post (link here) and there are lots of photos of the ruins as well as views along the paths and byways I walked. Several hours later, when I returned to my friend’s home, I was especially thrilled to have seen a group of wild fallow deer which included amongst them, a rare white hart,

The ruins at Pickworth were familiar to John Clare, the Peasant Poet

By May, spring is well and truly established and plants in the garden are flourishing. Everything is growing so fast that it can become overwhelming and with so many tasks to carry out, early supporting with canes and twigs can easily be forgotten until it is too late. Although this can’t be done to every tall plant in the garden, the Chelsea Chop is a drastic but very successful method of treating herbaceous plants so that they don’t need staking at all. The biggest hurdle to overcome with this technique is finding the courage to actually do it! By clicking on the link here you will find a step-by-step guide. Even if you don’t do it to many plants, I would highly recommend that you do it to the Ice Plant, Sedum spectabile which always collapses just as it comes into flower – once you have, you’ll wonder why you’ve never done it before.

Sedum, the Ice Plant – the perfect candidate for the Chelsea Chop

For June, it was back out into the countryside to check the state of a venerable old ash tree. Ash Dieback is a serious, recently imported disease that threatens to eradicate one of the most important trees in the British landscape. Younger trees in our parts of the Cotswolds are already showing signs of it, some much more severely than others. The farm where we keep our horses has one ancient tree that has stood sentinel over the adjoining fields for centuries (lots of pictures on the link here). It’s trunk is hollow and owls and bats roost within it; it must have seen generations of them leave its shelter at night. Likewise, it must have sheltered in the day many a farm labourer seeking shade during hot, summer harvests. It will be a sad day when it dies and we just have to hope that it may show some resistance to this new disease. I, all too well, remember as a child when a similar fate overtook elm trees and changed the English landscape forever. Let’s pray that it doesn’t come to that.

We ride past an ancient ash tree most days

If it sounds as if this review is ending on a sad note, don’t despair – July to December will be following shortly and there’s plenty of posts on an upbeat note there. My family’s fascinating exploits feature in some of them. Covid restrictions have given me plenty of time to root out the old stories of them – to be honest, I never knew what an interesting and, sometimes, brave bunch they are!!

Coppicing Hazel – the how, the why, the where

Lamb’s Tails (as country children call them), the pale-yellow catkins of the hazel, are a familiar sight at this time of year.  A traditional component of our hedgerows, they are perhaps seen in more glory when growing unchecked along roadside verges where they can achieve a much greater height.  There, up to 15 metres tall in favoured conditions, the soft golden shimmer of hundreds of catkins really is one of the earliest harbingers of spring.

Lamb’s tails: their pollen is released by the wind

Catkins begin to form early in the winter, small, stubby and dull in colour where they wait until, quite suddenly, they are as we see them now.  The transition always goes unnoticed.  Even less noticed are the female flowers – for catkins are male.  Whereas the majority of plants are self-fertile, Hazel, Corylus avellana, is one of a number that carry both male and female flowers.  Wind-pollinated, the breeze carries the pollen from the male to the female to fertilise.  However, the pollen has to reach a different plant for it to be successful.  The tiny, female flowers can be discovered by careful searching along the branches a few days after the catkins have fully formed.

The short, stubby embryo catkins form in early winter
The minute, female flowers take a bit of finding…

For gardeners, hazel is one of the most traditional and useful of plants and it is worth growing one or two in an odd corner if you have the room.  There they will quickly create a multi-stemmed shrub.  Visually, as a garden plant, when left to its own devices, it is of limited value (wildlife love it, of course).  However, by coppicing the plant there will be a regular supply of poles for runner beans to climb and the twiggy top-growth is the perfect support for garden peas, mange-tout and the headily-scented sweet peas.  They are also useful for supporting taller herbaceous plants, saving them from collapse and look so much more attractive than canes and string or wire netting.  It’s far quicker to do, too!

A good crop of runner bean poles

So, what is coppicing and how do you do it?  Well, for a start, it’s a dead easy and very uncomplicated form of pruning!  All that has to be done is to cut with secateurs or garden loppers the stems to a few inches above ground level during the winter.  If you do this over three years by removing only a third of the stems each year you will have stems of varying heights and diameters without losing any screening effect.  Although coppicing may seem a drastic form of pruning they quickly regrow and it also prolongs the life of the plant considerably. 

Coppiced hazel can make a good summer screen in the garden

Many years ago, coppicing of hazel (and, sometimes, ash and field maple too) was standard practice in many of our woodlands.  These days it is still carried out as a conservation tool to encourage the breeding of our now endangered dormouse and other wildlife.  Hazel is the food plant of many moths and the autumn supply of nuts are great favourites with jays, squirrels and wood mice – and, of course, humans. In the photo below of long-neglected woodland, the hazel is naturally regenerating as coppice as the old and heavy branches collapse onto the forest floor.

Neglected storm-damaged hazel naturally regenerating as coppice

Hazel can be useful, along with willow, to create living structures such as pergolas, arches, fencing and tunnels.  They all involve regular pruning in much the same way as coppicing although in most instances the number of upright growths is reduced to one or two.  The prunings make excellent kindling for wood burners and, if you’re feeling really creative, rustic furniture.  Why not have a go?  From just one native species we can have fun projects that are ideal for people of all ages.  It can be used as an educational tool too: nature study and conservation, rural history and artistry make it the perfect resource for lockdown and home learning.

This living hazel tunnel makes a fine garden feature and is also good for wildlife
An imaginative and practical way of using hazel branches

Respect Your Elders

Of all trees few can be held in as much contempt as our native elder, Sambucus nigra.  It grows almost anywhere and in such profusion that it is dismissed as a ‘weed’ and it is true that its habit of self-sowing and growing through treasured garden plants can be a nuisance.  Despite all of this, however, it is also one of the most useful of plants both in the wild and the shrub border.

This variegated form of Elder is very useful for brightening up a shady place
 
Search any hedgerow and the Elder can be found.  It is easily identified, even in mid-winter, for its bark is dull, dry and scaly, with prominent pairs of leaf buds; these are some of the earliest to open in the spring.  Young leaves can even be found during mild spells in the winter although these are replaced if damaged by frost.  Perhaps the simplest way to identify a leafless plant is to break off a stem for the centre is hollow and filled with whitish pith. Generations of country children hollow out these stems to create ‘cigarettes’ to smoke; in fact I can claim only to have smoked elder – and that stopped once a spark burnt the back of my throat!

Perhaps the glory of Elder comes in spring when the trees burst into flower. Large, flat heads (corymbs), consisting of hundreds of tiny scented flowers smother the plants and for a short while the countryside carries their pungent odour.  These have traditionally been the first crop to be harvested, their flowers steeped in water to make Elderflower cordial or ‘champagne’, these days now sold commercially. Elderflowers can be used dried in herbal teas or, when fresh, swirled in a light batter and dropped into hot oil to make delicious and unusual fritters.  Adding the flowers to stewed gooseberries or when making jam is a very old method of counterbalancing the tartness of the fruit.
Within weeks the flowers which were held upright will have faded and drooped as berries form.  Even when green, streaks of colour hint of their ripeness to come.  By late summer, the clusters have turned almost black and make a welcome addition to fruit pies or, used on their own, in jam and wine making.
The medicinal uses for Elder are equally varied.  According to the herbalist Juliette de Bairacli Levy all parts of the plant can be used: roots for kidney problems; bark against epilepsy and the leaves, when mixed with geranium and garlic, to soothe eczema and rashes.  The flowers and berries are used for relief of coughs and colds and it has also been claimed that the flowers can restore blindness.  As with all herbal treatments caution and common sense should be used – I’m not brave enough to suggest that you try any of them out!
The dark berries  of the elder – the red ones are hawthorn
For a tree with so many uses that has been part of country lore for so long it is not surprising to find it has many names.  A widespread alternative is Judas Tree for tradition states that it was the Elder that Judas Iscariot hung himself from.  It is from a derivation of the name Judas that Jew’s Ears fungus which commonly grows on elder gets its common name.