A Very English Day Out


Last Sunday turned out to be a glorious day after twenty four hours of much needed rain. Thank goodness it did for a friend had organised that most English of traditions – a posh picnic on the lawns of a large country house, followed by a concert in the music room.


And so we found ourselves eating smoked salmon sandwiches, coronation chicken, salads, ending with strawberries and cream, all washed down with an endless supply of champagne. But our friend didn’t just do us proud with the picnic, she had invited an eclectic mix of guests. There was an art historian, an art restorer, an explorer, a porcelain restorer, myself a garden designer amongst others. And we were international as well, for amongst the guests was an American, a Persian, myself part Polish – but the pure bred Brits did outnumber us….


Boarstall, where the concert took place, is a fourteenth century moated gatehouse. Of course, a building with such a long history has seen many changes and events, a major one being during the (English) Civil War when it was besieged for ten weeks. Damaged by cannon fire, ( the bricked up ‘patches’ can still be seen), upon its surrender the main part of the house, church and village were all destroyed by the victorious Parliamentarians. The mansion and the church were rebuilt but only the latter remains, the house being demolished once again in 1778. Since that time the tower has remained virtually unchanged. Now owned by the National Trust, it is lived in by tenants who organise the concerts.

We had come to hear a young soprano, Luci Briginshaw, sing arias from the great operas, accompanied by Peter McMullin on the piano. Luci’s story is rather like an opera plot in itself – a nice one fortunately rather than one where everyone gets murdered or dies of consumption! Busking in Covent Garden market, Luci was heard singing and invited to perform at Boarstall.

The music room at Boarstall is on the top floor of the tower and is reached by ancient, spiral stone staircases. Light and airy, it holds about 100 people so makes an intimate space where you can really relate to the performers and fellow audience. Luci’s singing was delightful, a pure clear voice, she obviously will – or deserves to – go far. Not just a wonderful coloratura soprano, for her encore, she accompanied herself on the piano singing a great blues number.

After the concert, Luci joined us all with a tour of the tower (how cross I was that, by then, I’d taken the camera back to the car) followed by afternoon tea, where she proved that she had a great personality off stage as well as on.

You will find a link to Luci’s website here, for Luci should be heard far and wide. And if, by a remote chance, Luci you should read this post, thank you for a memorable day out. Can’t wait to hear you again. Bravo!

Advertisements

Richard Long’s Extraordinary Land Art

2I have found that there are no shades of grey when appreciation – or lack of it – of Richard Long’s art is discussed. It seems that either, like me, you are swept away by it or you just cannot see the point of it at all. Whilst respecting this latter point of view, I ask myself, “Does art have to have a point”? For me, of all art forms , Richard Long’s work demonstrates that beauty can be appreciated just for it’s own sake.
.
British born (in Bristol, where he still lives and works), Richard Long studied art in both Bristol and London, giving his first solo exhibition in Germany in 1968, as he completed his studies. I imagine this is quite an achievement in itself. Since then he has exhibited regularly throughout the world.
.

.
In the grounds of my ‘reincarnation’ house, I was fortunate to be involved in the placing of one of his slate circles (photo above). Sadly, I never met the great man himself, for I would have loved to have sat quietly and watched the stones being laid in place. My contribution was extremely modest: I only removed the turf and put down the base ready for the circle to be put in position. However, this did mean that the circle appeared as if by magic – and it has remained mysterious and magical ever since. And, as if by magic, the gaps between the stones have filled with leaves and debris and yellow lichens have started to colonise their surface.
.
.

.
Regular readers of this blog will know of my fascination for stone in all its forms, whether it is the earliest standing stones (and we have our own ancient stone circle here in the Cotswolds, the Rollright Stones), the dry stone walls of the secret valley or placing stone in the garden. But Richard Long’s stone work is different to all of these for each piece is meticulously shaped and honed – or left in its natural state – and crafted into position. To really appreciate it, you have to become part of the landscape yourself. When you lie on the ground looking across the surface of his work, it takes on a completely new appearance and meaning.
.

.

When I first came to know and love Richard Long’s work, I little dreamt that one day it would inspire me to incorporate land art into one of my own designs. Attached to a beautiful old farmhouse, belonging to a client, is a small, almost bottle shaped, raised area of land surrounded by the remains of a twelfth century moat and mill stream. It is too wild an area in which to create a conventional garden so the plan is to keep it as a simple wild flower area. A very low serpentine turf coverd bank will draw the eye – and, hopefully, the visitor – towards the bottle neck. Careful planting will bring you unwittingly into a living willow tunnel and, at the far end where the land broadens once again, will be a circle. Not a stone circle this time but a meditation circle inspired by the photograph below of children playing. This photograph is from the artist’s (or is it sculptor’s?) website; all the remaining photo’s are mine taken at the reincarnation house. To be redirected there just click and make sure you look at both the Exhibitions and the Sculptures pages.

.
.

As for my new design, work is due to commence at the end of this month and I shall report on progress some time in the future. One thing I am quite certain of is that I will not be asked to hold any exhibitions either in the UK or abroad!
.
.
.
2018 Update:   to see more of Richard Long’s work or to view the latest exhibition venues visit his page on Artsy by clicking on the link here
.
.
.
Add to Technorati Favorites