As night falls we have started hearing the sound of tapping at our garden door. It happens every year as the weather begins to warm up and the days draw out. At first we were uncertain as to what it was for there was no-one there when we looked outside. Yet, as soon as the door was closed, the gentle knocking sound would start again.
No, this is not the start of a scary story for on one occasion, leaving the door open a little longer than usual, into the house jumped a large frog, followed by several more. Now when we hear the sound we know that the frogs (and some toads) are on their march to their spawning grounds. Unfortunately this involves them crossing the little country lane just below our house and, although traffic is few and far between in the secret valley, each morning there are the squashed bodies of those that didn’t make it to the other side. The photo below may look as if it’s squashed but this one survived!
Quite why the frogs cross here is a bit of a mystery. The river is below and to one side of us as it meanders through the valley and around the house. The frogs are coming from the field up on the hillside and this isn’t a nice, moist and lush grass field that might be a bit of froggy heaven. The field they come from is plough – stony, brashy and rough. Or have they been hibernating in the old hedgerow and, if so why, when there are plenty of, what would appear to be, more attractive and comfortable places to sleep? Whatever the reason, they are off back to the river and pond and our house is in their way. If the doors are open, a constant flow of ‘hoppers’ pass through the sitting room and kitchen – or around it as we tend to keep them out. When our little cottage was built 150 years ago, was it built on an ancient pathway created by thousands of generations of frogs?
Oddly enough, on Exmoor, despite its harsh climate, the frogs spawn earlier than here in the secret valley. On a walk recently, we found this perfectly formed circular pond (perhaps an old sheep wash) on the moor and the frogs had already filled it with spawn. And in every boggy patch of the moor we found even more spawn. It rose above the water level in great mounds: perhaps it is the higher rainfall that prevents the spawn from drying out. However many frogs must there be and how many tadpoles will survive to return to breed in the future? The answer is mind boggling!
An update 27th March:
So what is cheese rolling? A 7lb Double Gloucester cheese is set in motion from the top of the steep hill – and it can reach speeds up to 70 miles per hour – and us ‘locals’ then chase it. The first person to reach the bottom and cross the line is the winner. Yes, you are right -it is another barmy English tradition.
When you arrive at Stoke Pero, there is no cosy village green scene to greet you, for the church serves a widely scattered community. The wind cuts across the open land with an icy blast and even the church seems to be hunkered down against it, squatting in a dip in the land. As you enter the porch an old sign reminds you why.
The doorway to the belltower is tiny – so narrow that only the slimmest can enter. Despite its size it has a degree of solidity about it. The main door to the church is the opposite – a massive piece of oak with letters and symbols scratched into its surface. To date, the meaning of these remain unknown. Any ideas, anyone? 
The tiny clifftop hamlet of Countisbury – the far distant horizon is the south coast of Wales
Getting too close for their comfort, they were soon up on their feet and ambling away. In a matter of moments their camouflage made the moorland look empty once again.
Turville, is a tiny village, hidden deep in a valley in the Chiltern Hills and is close to where I was born and spent the greatest part of my life (I only came to the secret valley nine years ago). The Chilterns is a place of steep hills, thick with beechwoods that seem to hang onto their very sides – many use the word in their names: Old Hanging Wood near Hughenden, for example. The villages, as a consequence, seem tucked away and forgotten, yet they lie only some 30 miles west of London.
Chalk and flint are the geological features that make the Chiltern Hills what they are and you are never far from them for the topsoil is thin, as all Chiltern children soon learn. Childhood games need chalk for drawing hopscotch and the flint cuts deep into knees when falling over. Flint also is, or was, the favoured building material for houses and Turville has plenty of fine examples, even the church is made from it.
No English village is complete without its pub and Turville is no exception. The Bull and Butcher stands almost in the road. Less common are windmills and Turville lays claim to Cobstone Mill (which really ‘belongs’ to the neighbouring village of Ibstone), standing high above on a steep hilltop. The windmill, like the village has been used in many films such as Chitty, Chitty, Bang Bang and the 101 Dalmatians. In the latter, when the road outside became covered in machine made ‘snow’ I drove past confused – for there were still traces of the snow and it was midsummer. We also had no water for several hours as the filming had used up the village supply in the making of it.
Turville is popular both with the film crews and visitors because it is so ancient and unspoilt. To get photos like these you have to visit on a grey, winter’s weekday as weekends, especially fine, summer ones, find the narrow lanes choked with cars. The village is so unchanged that even the warning roadsigns, like this old schoolchildren one are decades out-of-date!
Now people get very excited by upturning the flowerhead so they can see a slightly larger speck of green on the bloom or scrabbling about on their knees in search of the single rarity that lurks amongst the ordinary – and good luck to them. Call me boring or unimaginative if you want but just give me bog standard Galanthus nivalis any day – preferably in their thousands. This really is a case where more is best as the carpets of snowdrops that flower in the garden of the house that was built for me two hundred years ago proves. (Readers of this blog may remember the 
Well, yes, there could be. My death next time round should be marked with the Winter Aconite, Eranthis hyemalis. There is something very cheering and positive about their bright yellow, perhaps it is because we crave some strong colour after a long winter. It is the same shade as the yellow daffodils and also of forsythia. By the time these have finished, weeks later, we are fed up with it and find it all rather garish. But in January we start to notice the little ruffs of green leaves pushing through the ground and, quite suddenly, the flower is opening its blooms. I hadn’t noticed before just how similar the individual flowers are to a buttercup when fully open. Not surprising really, as they all belong to the same family, Ranunculaceae. The aconite, I assume, is so-named beacause of the similarity of the leaf with the tall herbaceous aconites, Aconitum.
Neither snowdrops or aconites are native to the British Isles although both naturalise well and, given time, will occupy large areas. Conditions in this country must favour the snowdrop for snowdrop woods, whilst not common, are found with relative ease and are nearly always associated with a large country house. A much greater rarity is the aconite wood and I know of only one and heard of only one other. To visit it is an extraordinary experience for it is difficult to walk through the tens of thousands of plants that carpet the ground. This wood is also attached to a country estate but rarely visited and away from public paths. Perhaps that is why it has survived.
I found them again recently, tucked away and near forgotten, for my father died 30 years ago and my mother more recently. And these days, what do we do when we are curious – we Google. First searches threw up nothing until I entered the text Das is im Leben hässlich eingerichtet which, translating to The ugly thing in life is set up, whilst sounding not very promising, turned out to reveal part of an epic poem by Joseph Victor von Scheffel, written in 1853. Don’t worry, I hadn’t heard of him either! The poem was The Trumpeter of Säckingen. 
The town of Bad Säckingen (the Bad was added to the name in 1978) is in southern Germany on the banks of the Rhine, between the Black Forest and the Swiss border. In 1854 von Scheffel published his epic but it was not until some years later that it became popular. By 1884 it had been turned into an opera with music by Nessler and in 1918 a silent movie had been filmed using over 200 local people as extras. The opera is still performed today at the open air festival (Festspielgemeinde) in the town. There is also a museum devoted to Scheffel and the Trumpeter.
So who was the Trumpeter? Franz Werner Kirchofer was born in 1633, of common birth, who fell in love with Maria (Margarethe), the daughter of a noble family that resided in the town’s castle. Against all the family’s wishes the couple were finally married in 1657, raising five children. Their gravestone beside the cathedral tells the story of their love – a truly romantic tale and one with a happy ending. The castle still stands, now owned by the town, and is surrounded by public park and gardens, it also houses the Trumpeter museum.
A trip to Germany now seems probable at some time in the future so that I can see the castle that I first came across fifty years ago but only very recently knew existed. The power of the internet, as we all often mention in our blogs, never fails to throw up surprises. And it led me to the town’s 
I think the reason we may behave like this is because English weather is nearly always gentle. The landscape that makes up England is beautiful and can be dramatic but not in the way of so many other countries. Take the USA, for example. Where’s our Grand Canyon, our towering redwoods, our Rocky Mountains, our Great Plains and our Niagara Falls? We have them in miniature and, perhaps, that is just as well as we are such a small country. And likewise, our weather: we have heatwaves, we have floods, we have blizzards. But they are rarely anything truly spectacular (except to those poor people affected by them, of course). And so when we were told by the weather men in 1987 that reports of a hurricane were completely exaggerated, we believed them totally. And despite the fact that much of the country was hit hard by it when it arrived, my part of the Chiltern Hills where I lived at the time was not much affected, even though it is one of the most wooded parts of the country.
The night in January 1990 was different. This time we had winds, whilst not as severe as three years earlier, which created total havoc with the already weakened root systems of the trees. Great swathes of the magnificent beech woods that are the very heart and soul of the Chilterns were flattened in a couple of hours. (I am reminded by my partner, that as the rest of the world cowered in their beds as the trees came crashing down all around, I woke up to say “a bit windy out there” before falling asleep again). As dawn broke the true damage could be seen.
Fast forward twenty years to 2010 and the woodands are transformed. Those of us that remember the 200 year old beech know that the majority are gone and, in their place, are new trees of mixed species. It will be many years before the magnificence of the woods return but they are healing. This photo below is taken from the same spot as the one above. Some of the biggest old stumps have been left, too difficult to move – time has hardly changed their appearance apart from their ‘roof’ of mosses.
One of the unforeseen benefits of the hurricane is the increased amount of light reaching the woodland floor, for beech trees cast a dense shade where little can grow, other than where the canopy is lightest. Apart from the view to the valley below, which was unseen before, many wild flowers are better now than ever. Roll on April when we can see the blue carpet of tens of thousands of bluebells disappearing into the distance. 
Oh! And I nearly forgot to say, the weather today is a mix of sunshine, cold winds, rain and sleet. Don’t forget to tell the next person you meet!
The lavender hedge not only gave me plenty of lavenders, it also softened the curved and hard edge of the stone path that extended the whole length of the border. An unforeseen bonus was with the reflected heat from the stone – it seemed to heighten their scent, filling the air along with myriads of bees and butterflies that were attracted to it. Another good bee plant was Purple Loosetrife, Lythrum salicifolium, a native plant normally found in damp places and by pond edges. This is a garden cultivar ‘Robert’, which is shorter than the type and was quite at home in ordinary garden soil. The ground cover rose ‘Magic Carpet’ was a close match in colour, the result quite strident but tempered by the lighter centre of the rose flower. I wouldn’t describe this as me at my most subtle!
A much quieter planting and taking cottage style to it’s extreme was this combination of Icelandic poppies and scabious. I didn’t notice the bumblebee at the time but it really ‘makes’ the photo! 
The Magic Carpet rose looks much easier on the eye planted against lavender and red sage.
Climbing roses are a passion – no garden should be without at least one. This is a David Austin variety called Snow Goose and is one of my signature plants: it goes into many of the gardens I work with. It is easy, disease free, relatively low growing (about 9ft) so ideal for all sorts of odd corners. It sadly lacks scent which normally would rule it out for me. Certain plants such as roses, sweet peas and pinks, for example, have to have scent, for surely that is their ‘raison d’etre’. Here Snow Goose is growing through Photinia davidiana ‘Palette’ which is being trained as a wall shrub. I love the way the tiny white flowers of the Photinia mimic the rose and the white splashes on the leaves are emphasised by the flower colour. 
Rosa glauca is another rose that I use regularly. It is grown mostly for its wonderful foliage although the flowers are pretty, if somewhat fleeting. This shrub rose will grow to 6ft or more but to get the best foliage and stem colour it is best to prune it hard. Cut back severely it sends out these long, dusky wands which are perfect for cutting for use in the house. Here it is teamed with the Oriental poppy ‘Patty’s Plum’. The poppy was planted inside a trio of the roses which hides the poppy’s leaves as these tend to become rather shabby. The thorns of the rose also hook the floppy stems of the poppy flowers which means that there is no need for staking and tying in: why bother with a chore like that when nature can do it for you? 
A combination of blues against a blue sky using Love-in-a-Mist (Nigella), Salvia nemerosa ‘Rugen’ and two Iris, ‘Jane Phillips’, pale blue with a pleasant scent and ‘Deep Blue’ with its dark, almost black flowers. The tall, ferny foliage in the background is the giant scabious, Cephalaria giganteum. Its pale yellow flowers give a complete colour variation to this part of the border as the iris fade and the Cephalaria opens to glow like moonshine behind the nigella and salvia.
I am often confronted with an area of garden which has been cleared by a client of vegetation for them only to be daunted by the expanse of ‘scorched earth’ that they are left with. The one below, turned out to be one of the biggest challenges to date with the request that the area had the appearance of one large flower border from the house, yet without too much height. The other specification was for there to be a driveway for cars incorporated into it and for it to look traditional – not one of the newer ‘prairie’ styles, the fashion for which has swept Europe in recent years. To make matters worse, in clearing the garden, the contractor had also removed most of the topsoil. 
To make the garden more manageable I divided the area up into sections. In the photo below is a new stone path splitting the levels and, to the left, part of the driveway coming in, in an arc. Altogether there were three raised beds, a long border plus the ‘in and out’ driveway and new path running through the whole scheme. Also in the photo is part of the mountain of topsoil that had to be brought in and there is still some turf to be removed. 
Life in the English Cotswolds 