Not So Mad After All

“ As mad as a March hare” so the old saying goes and at this time of year they certainly seem to be a little bonkers with their racing around, boxing and generally erratic behaviour.  However, it isn’t spring madness but sex that is on their minds – rather than being ‘a little bonkers’ it is their desire for a little bonking that drives them to the verge of insanity.

Here in the secret valley, as elsewhere, the hare population in some years is greater than others.  It looks as if 2022 is going to be a good year for them for there were eight in the field by our house a couple of days ago.  This gave great opportunities to watch them from relative comfort as they hurled themselves at one another and galloped around the field at great speed.  Of course, as soon as I reached for the camera they disappeared almost as if they thought that filming hare porn was rather distasteful and embarrassing.  After a while I realised there was one keeping well-hidden watching me. 

The hare forgot to hide its ears…

This ability to disappear has over the years given rise to many superstitions and old wives’ tales.  They were thought to have mystical properties too and I did on one occasion experience this myself.  I was visiting the ancient, subterranean earthwork, New Grange in Ireland.  If ever you were going to have a mystical experience it would be here for you enter the tomb by a long, low and very narrow passageway before entering a large stone chamber.  With almost no natural light it takes a while for your eyes to grow accustomed to the semi-darkness.  The friend that I was with said that she thought she’d fleetingly seen two hares which, of course, was impossible for we were blocking the only exit.  Back outside, we came to the spot where the two hares should be and there, at our feet they rested, two baby leverets, completely unafraid of our presence.

The entrance to the prehistoric burial chamber at New Grange
The two baby hares were nestling in the grass…

The hare has been revered and feared in equal measure throughout the world.  It was considered an ill-omen to meet one upon the road; there are myths concerning the cycles of the moon and the hare both connected to lunacy.  It has been much connected with ancient art and can be found in prehistoric rock paintings; in England in the Cotswold town of Cirencester (originally a Roman town known as Corinium) we have the magnificent Roman Hare mosaic now on display in the local museum (link here).  Discovered fifty years ago, it dates from 400AD and shows the animal feeding.

Hares are considered to be very nervous and flighty animals that also have the capacity to do huge amounts of damage if they should enter gardens or orchards.  Some years ago, one took up residence in a garden I cared for and I found, at least in this instance, that this was quite untrue.  Admittedly, if anyone entered the garden it would quickly hide but It accepted me as part of the garden and would hop around my feet quite happily.  It must have been feeding within the garden but I never found this to be a problem.  It is always a huge privilege when a wild creature trusts you and to be able to observe one at such close quarters especially so.  I always hoped it would raise a family there but I was more than satisfied with having just the one.

‘My’ hare would rest beneath a flowering jasmine but come out to join me in the garden
The hare would hop around my feet…

My’ recent hares finally couldn’t resist returning to their antics. Outrunning one another with their great speed and ultra-quick turns they, at last, didn’t notice me reaching for the camera. Although tricky to capture on film I finally succeeded.  As I did so, I thought of the thirteenth-century poem that I was supposed to recite to avoid bad luck.  The Names of the Hare, written in Middle English, lists seventy-eight names – With no memory for lengthy poems, I had to rely upon my previous friendship with the hare and the hope that would hold me in a special, protected place.  It seems to have done so but just as the myths claim, today when I went to bid them ‘good-day’, not a hare was in sight.

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The Arts & Crafts Splendour of Rodmarton Manor

In 1906 Claud, the youngest son of politician Sir Michael Biddulph, commissioned a house to be built on land gifted by his father.  The commission was given to Ernest Barnsley who specialised in design and building in the Arts & Crafts style.   In the spirit of the movement, all materials had to be sourced locally and hand-crafted with no machinery used.  Claud stated that the house should have the feel of “a cottage in the country”, somewhat of an understatement by the time the building was completed in 1929.

Rodmarton Manor seen from one of the ‘garden rooms’

The house, which has a total of seventy-four rooms, was built as three angled sections with a sweeping driveway and circular lawn to the front courtyard.  The family lived in one wing, servants in another (now converted into flats) and the central section was to be used as a community space where local villagers could meet and learn skills and craftsmanship.  In this way, the Biddulphs were instrumental in maintaining age-old traditions that were in danger of dying out. 

Rodmarton Manor

The mansion, still family owned and open to the public, retains much of its original furniture and furnishings.  Listed as a Grade 1 building by Historic England it has been described as “the single best example of the Arts & Crafts movement”.  On the day of my visit the house was closed but I was able to explore the gardens which are also listed and have been created in the same style.

Old stone urns and troughs frame the entrance

Close to the house, the gardens consist of a series of room-like areas enclosed by stone walls and hedges.  Lichen encrusted pots, urns and troughs, along with precisely clipped topiary give a timeless feel to the garden and also ensures that there is plenty of interest during the winter months. The aptly named Long Garden comes as a surprise after visiting other areas, for although very much of the style, it is relatively narrow in width.  A flagstone path emphasises its 75-metre length and leads to a delightful pavilion, a small pool and a seating area.  Divided by clipped yew hedges and bordered by densely planted herbaceous borders it was, for me, the highlight of the garden. 

The Long Garden at Rodmarton Manor in June
The Pavilion at the far end of the Long Garden

It was disappointing not being able to see the craftsmanship of the interior of the house.  However, the exterior of the building revealed many surprises.  What I liked most of all was the exquisite detail of the rainwater downpipes proving once and for all that even when something is utilitarian it can still also be beautiful.

Even the practical is made to look beautiful exquisite detail of the rainwater downpipes
Every downpipe detail differs

Rodmarton Hall is situated midway between the Cotswold towns of Cirencester and Tetbury and is open to the public throughout the summer months on selected days.  There are additional garden open days in February to view the snowdrops of which there are over 150 varieties.  To find out more click on the link here