The Arts & Crafts Splendour of Rodmarton Manor

In 1906 Claud, the youngest son of politician Sir Michael Biddulph, commissioned a house to be built on land gifted by his father.  The commission was given to Ernest Barnsley who specialised in design and building in the Arts & Crafts style.   In the spirit of the movement, all materials had to be sourced locally and hand-crafted with no machinery used.  Claud stated that the house should have the feel of “a cottage in the country”, somewhat of an understatement by the time the building was completed in 1929.

Rodmarton Manor seen from one of the ‘garden rooms’

The house, which has a total of seventy-four rooms, was built as three angled sections with a sweeping driveway and circular lawn to the front courtyard.  The family lived in one wing, servants in another (now converted into flats) and the central section was to be used as a community space where local villagers could meet and learn skills and craftsmanship.  In this way, the Biddulphs were instrumental in maintaining age-old traditions that were in danger of dying out. 

Rodmarton Manor

The mansion, still family owned and open to the public, retains much of its original furniture and furnishings.  Listed as a Grade 1 building by Historic England it has been described as “the single best example of the Arts & Crafts movement”.  On the day of my visit the house was closed but I was able to explore the gardens which are also listed and have been created in the same style.

Old stone urns and troughs frame the entrance

Close to the house, the gardens consist of a series of room-like areas enclosed by stone walls and hedges.  Lichen encrusted pots, urns and troughs, along with precisely clipped topiary give a timeless feel to the garden and also ensures that there is plenty of interest during the winter months. The aptly named Long Garden comes as a surprise after visiting other areas, for although very much of the style, it is relatively narrow in width.  A flagstone path emphasises its 75-metre length and leads to a delightful pavilion, a small pool and a seating area.  Divided by clipped yew hedges and bordered by densely planted herbaceous borders it was, for me, the highlight of the garden. 

The Long Garden at Rodmarton Manor in June
The Pavilion at the far end of the Long Garden

It was disappointing not being able to see the craftsmanship of the interior of the house.  However, the exterior of the building revealed many surprises.  What I liked most of all was the exquisite detail of the rainwater downpipes proving once and for all that even when something is utilitarian it can still also be beautiful.

Even the practical is made to look beautiful exquisite detail of the rainwater downpipes
Every downpipe detail differs

Rodmarton Hall is situated midway between the Cotswold towns of Cirencester and Tetbury and is open to the public throughout the summer months on selected days.  There are additional garden open days in February to view the snowdrops of which there are over 150 varieties.  To find out more click on the link here

"The Most Beautiful English Village"

The tiny village of Bibury has long been recognised as one of the prettiest places in the Cotswolds and is much visited by tourists.  It is everything you might magine an old English village to be; so much so that some visitors, according to local gossip, not realising that it isn’t a theme park creation, walk into people’s homes to have a look around.

Ancient cottages in mellow Cotswold stone, a crystal clear, trout-filled river running alongside the main street, an old mill and a great pub offering food and accomodation all make Bibury “the most beautiful English village” as William Morris, the Arts and Crafts textile designer described it when he visited during the 1800’s.

The old cottages are so perfect and their setting so tranquil that they appear to have created an ethos amongst their owners: each house and garden has to be more well maintained than their neighbours.  The only weeds I saw there were across the river in the marsh and, of course, not only were they growing where they belong – in a wild setting – but there were only the most attractive ones such as Yellow Flags, the bog irises and the flat, white heads of the hogweeds.



No English village is complete without its church and pub and Bibury has both.  The church of St Mary’s dates back to the 12th century and is well worth seeking out for it is tucked away down one of Bibury’s few side streets.

 

If the church tries to remain hidden, no such claim can be made for The Swan, one of the landmark buildings situated on the bend where the road crosses the River Coln.  The creeper covered pub/hotel is a good place to watch the world go by although, rarely does a car go by without its occupants stopping to explore the village.  This is quite a problem for there are so many visitors and cars that to experience the tranquility of the place, or to get photographs such as those on this blog, you either need to stay overnight or to visit the village early in the day.  Looking at the online reviews for the Swan, I was amused to see that the only gripes were complaints about old furniture, no street lighting and no wifi or mobile phone signals – surely, some of the very best reasons for visiting!
 

 
It can almost be guaranteed that every calander of the Cotswolds will have a photograph of Arlington Row – probably on it’s front cover.  Set back away from the road, it is reached by a footbridge: a terrace of former 16th century weavers cottages which, in turn, were converted from a 13th century wool store.  The importance of wool in creating the wealth of the Cotswolds and its churches, including the development of the Cotswold breed of sheep, now endangered, has been described in earlier posts on this blog (click here).  For more on the Cotswold sheep and the work of the Rare Breeds Survival Trust to preserve them, click here.
Arlington Row’s importance in history of vernacular architecture was recognised by the Royal Society of Arts in 1929 when they purchased and restored it.  A plaque, commemorating this is set into a nearby wall.

Exploring Arlington Row gives visitors an opportunity to see just how higgledy-piggledy the construction of old house are.  The old stone walls and mismatched rooflines and windows are juxtaposed seemingly at random – a modern planning departments nightmare.

Despite, the large numbers of tourists (for we all like to believe that we fall out of that category and will be the only persons there), Bibury is well worth making the effort to visit.  It is situated close to Cirencester, one of the most important Roman towns in the UK, with its wealth of history and it is also within easy reach of Oxford.  If I had to choose only one place to take a visitor to see, I think that Bibury would be highly placed on the list. 

Let me know – especially overseas readers, please – which would be the one place that epitomises old rural living in your country.

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