About johnshortlandwriter

John the Writer: It is as natural for me to write as it is for me to eat or drink (sometimes I forget to do both when the ink is flowing). For years I would write – then shuffle the words until satisfied - then shred it. The act of writing was enough. One day I thought that seemed just a tiny bit silly so saved them on the computer and Life in the English Cotswolds was born. That was in 2009 and to my surprise people like you came along and liked what you saw. Since then, over 180,000 of you have visited, commented and become ‘friends’. Thank you! 2012 saw the very first Chipping Norton Literary Festival take place with which I was closely involved for several years. It was there that I was approached to write my book, Why Can’t my Garden Look Like That?, published a year later by How To Books, an imprint of Constable & Robinson and now part of Little, Brown. Over the years, my blog has expanded to cover many topics ranging from travel to family history and much else. This has brought a new audience with it for which I am both delighted and grateful. John the Gardener: The earliest image of me gardening is one of me as a child of about four using – well that’s too strong a word for it – a rake. Gardening is in my blood for every member of my family have been keen amateur gardeners (I am the only one doing it for a living). Whether it was aunts, grandparents or my father, everywhere I went they were in the garden tending flowers and vegetables or in the greenhouse potting up seedlings. Indoors, around the table, the talk was all about plants. Despite that, I started off my working life (apart from a short stint on a remote Exmoor farm) in the rag trade – selling men’s and women’s fashions. All the time, the great outdoors beckoned so it was off to horticultural college as a mature student before becoming Head Gardener to several large, country estates. That was twenty years ago now and every day I realise that not only did I make a great career move but just how lucky I am. Another sideways step brought me to where I am now – designing gardens, showing others how to garden and looking after gardens. And, of course, writing about it. John the Countryman: I have lived in the country all my life. As a child I spent my time exploring the lanes, woodlands and orchards of the Chilterns, that range of glorious, chalk hills cloaked with beech trees. Each spring they become carpeted with tens of thousands of bluebells. It was here, as a small boy, that I learnt about the wild plants and animals that share our world, a magical place. In more recent times I moved to the Cotswolds – only 50 miles away yet a completely different range of hills both geologically and in character. Here, there are wide open views and skyscapes, dry stone walls and rushing streams and some of the prettiest towns and villages in Britain. I now live in a tiny stone cottage beside the winding river in the photo above, all tucked way in a secret valley. Bliss. Horses and dogs play an important part in my life too. More bliss. John the Explorer: The description is a tad exaggerated but I have had my moments. I guess that spending a night in a hostel for down and outs in the Rocky Mountains (how did I mistake it for a hotel and why didn’t I leave, I often ask myself), being stuck in a blizzard in an Indian reservation at 3 am in the morning in the far north of Canada or getting caught up in an attempted coup in Sudan probably allows me some claim to the title. Recent years have seen my exploring closer to home, in considerably more comfort and a lot less scary. Well, in principle, it is. I spend a lot of time on Exmoor, my spiritual home of over 45 years, and Ireland is another place that I visit frequently. Strangely, things still don’t always seem to go quite to plan …

Snowdonia: Through The Enchanted Forest

Posted on December 5, 2010 by johnshortlandwriter

The tiny road that passes the converted chapel that we have been staying in once again for a late holiday continues to climb further into the mountains. The grassy areas, cropped short by sheep, give way to bracken, heather and stunted gorse, also shortened by the harsh climate. And an hours walk along this road – now little more than a stone track – brings you to the Enchanted Forest. At first, it is barely noticed: a tongue of dark green that appears to be sliding down the mountain as if desperate to reach the richer soil of the valley below.
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But suddenly, as you walk round a bend in the path, there it is in front of you. The trees look inviting; beckoning you to shelter from the cold north-easterly wind that cuts through to your bones. Yet, as you approach, the gate barring your way makes you hesitate, for the first

view into the depths of the forest is a menacing combination of dark and light. All those childhood images from the Brothers Grimm come to mind for there are the conflicting emotions: is this a sinister or a kind place to be and where will the path lead?

Walking further into the forest, it proves to be a fascinating place, with sight after sight more enchanting than the previous one. The damp mists and rain have turned the ground into a mossy wonderland with great mounds of it creating a weird, almost surrealistic, landscape. Surely, Goblins or Hobbitts live here? They do, for every so often the moss builds up to make a hooded entrance and some even have – if you look carefully enough (like in the photo below) – a wrinkly face staring out at you.
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It is just not the light and the shadows that play tricks with you, for nothing is quite as you expect it to be. Some of the conifers branches grow upright instead of horizontally so that their silvery underside is facing you, disorienting your vision.

Even the toadstools are rarely toadstool shaped – here these look like pieces of discarded orange peel rotting in the leaf litter.

It is not especially surprising that ice forms on the puddles at this altitude and time of year but even this is different. They have the appearance of stained glass windows, but strangely drained of all their colour…..

And just as suddenly as you entered it, the forest gives way again to mountain. But what a mountain! It is as if it has been dropped from a great height and smashed to millions of pieces, some just lying around and others piled up one on top of the other, regardless of size or shape. And why, several hundred years ago, did they build the dry stone walls that travel up and over them for mile after mile?
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The sun had been shining brightly when we had stepped into the trees. Now, in an instant, the weather has turned and we are being threatened by snow flurries. She-dog, our lurcher, who recognises these problems better than we do, had been wandering on far ahead. Now, knowing that danger could be approaching, she hurtles down the track back towards us, agitated, beckoning us to return home.
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How glad we were we heeded She-dog’s warning! By the time we were within sight of home the landscape was changing to white. And the snow continued to fall for days…..

A Roman Villa in the Cotswolds

Posted on November 16, 2010 by johnshortlandwriter

These days the Cotswolds, with its rolling landscape, dry stone walls and picture postcard villages, give the impression of being sleepy and sparsely populated, basking (or some may say smug) in its glory of being one of the jewels of the British countryside. But this is not so. For it is a working landscape with its people going about their daily business, admittedly often in an unhurried way – for our narrow lanes and lack of motorways limit the speed that one can travel. And often our straightest and, therefore, easiest routes have not been made in recent years but by Roman settlers, attracted to this region some two thousand years ago, for much the same reasons as we are now.
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Ryknild Street, Fosse Way, Akeman Street, Ermin Way – just their very names conjure up images of Roman legions marching long distances through the country – linked their towns and cities with Corinium, now our modern Cirencester, the centre of both their commerce and entertainment (it still has the remains of a Roman ampitheatre that held over 8000 people). And, as time passed, they settled in more remote parts of the Cotswolds too: one such place is the villa built at North Leigh, near Witney. The track that leads you to the remains is as straight as any other Roman road but was used solely by servants and traders, the owners and visitors arriving by a more grand approach no longer visible.

Now cared for the nation by English Heritage, admission is free and the site is open all year. Strategically placed notice boards explain the layout of the 60+ rooms and of its history but nothing quite prepares you for the sheer size of area which seems at odds with its present day position – somehow, you expect a small cottage sized building. In fact, the first thing I noticed was the irrepressible She-dog who had run on ahead, in order I imagine, to steal the limelight, as usual!

One of the greatest pleasures of exploring the remains is that they are relatively unknown and so are rarely visited. I explored for over an hour and saw no-one – just perfect! The photos below show the north west range and also the south east range. Beneath the floor of the latter even earlier remains of a hearth were found , dating back to the Iron Age, circa BC100.

Although the site was known as early as 1783 it was not until the early 1800’s that the ruins were excavated, the first plan published in 1823. Further excavations took place in 1908.

The remains of the under floor heating can be clearly seen in the photographs below. It is strange how such an ‘advanced’ civilisation could then be plunged into the relatively primitive period of the Dark Ages after the Romans left.

In amongst the stonework of the walls pieces of tile protrude. No matter how carefully I looked I saw no signs of pottery.

The’jewel in the crown’ of the villa at North Leigh are the mosaic floors. Several were discovered and lifted, presumably to a museum although I do not know which. However, the floor of the dining room, discovered in 1816, in the south west wing has been preserved in situ and is protected from the elements by a modern building. The mosaics were laid by craftsmen from Corinium in the fashionable geometric style of the time.
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The dining room, again with underfloor heating, had a vaulted roof supported by columns, parts of which can be seen against the back wall of the shelter.

Who were the people that lived here and why was the villa suddenly deserted in the fifth century when it was so obviously thriving a century earlier? It is probable that they were farming here so perhaps there was a change in climatic conditions or with the water supply. Whatever the reason, it is now the most perfect spot to sit and ponder in total peace and quiet.
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Goodbye Henry, Hello Ernie

Posted on November 2, 2010 by johnshortlandwriter

There comes a time when old friends go and new ones appear and so it is with Henry. Not that he has met his demise, despite being elderly and a little infirm. He has gone to pastures new.

Henry, our Irish Draught horse, has had a blissful life here in the Cotswolds after a hectic time in his earlier years on the hunting field. Recently, and with the fine spell of warmth, his days have been spent in glorious semi -retirement basking in the sunshine.

But even the gentle hacking around the farm with She-dog at his heels has proven too much and so he has spent many weeks resting and generally enjoying life.

But now it is time to say goodbye and he has returned to his original owners to spend the rest of his days as companion and chaperone to young foals.

The always sensitive-to-events She-dog seems to know that her companion is leaving never to return. Goodbye, Henry!

Hello Ernie! Seems quiet enough looking over the stable wall……
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Barney has seen this all before. Once he would have kicked out at any newcomer to his field just to show who was boss. Now he just can’t be bothered – I know the feeling. So he stands there while Ernie circles sniffing and snorting ……

And then they are off!
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Ernie cannot decide what he wants to look like. He tries the fairground horse look first ……

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….. and then the bucking bronco ……. while Barney looks on bored by all the antics.
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Ernie tries out the rocking horse look ….. finally stopping to try out the local food

The view’s not too bad either! Home could be a much worse place …..

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Invasion of the Ladybirds

Posted on October 28, 2010 by johnshortlandwriter

If ladybirds landing on you are traditionally a sign of good fortune to come, I wonder what the latest invasion of hundreds of them coming to hibernate in my bedroom means? Probably not much as I have evicted the majority of them! However, there is something rather special when a wild creature, however small, chooses to associate closely with you and without fear.
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Now I appreciate that a small bug like creature is not exactly prone to a shaking attack of nerves when a human face peers closely at it – not even mine – but they must have some sense of concern when we recite the children’s rhyme “Ladybird, ladybird fly away home”, surely?
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Having realised that they are likely to get ‘crunched’ once the window is shut, they moved further indoors following one another in single file. Of some concern, was the number of Harlequin ladybirds, a foreign invader originally from the Far East but brought here to Britain on plant imports via the USA. These only arrived in the country as recently as 2004 and are now found in every English county, much of Wales and beginning to colonise Scotland. Of the four ladybirds in the picture above only the top one is our native Seven-spot Ladybird.
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I know it’s a bedroom but I really don’t think I want this Harlequin to perform in front of the neighbours! As, to my knowledge, they don’t hybridise with our native species I suspect that this Seven-spot was about to become a tasty snack. This photo really makes you appreciate the difference in size between the two species.

Having reached a suitable corner they begin to jostle for position, gradually forming a tight clump where they remain during the colder days and nights. Strangely, the central heating system has no effect on this dormancy, whereas a return to milder conditions outside makes the colony disperse around the room to reform at a later time.

Now a tight cluster, these groups began to hold several hundred individuals. It was then (and without even bothering to take a photograph, very remiss) that the eviction process began until just a few dozen – which we consider manageable and charming – remained. Despite claiming not to be remotely superstitious, for safety’s sake I did recite the traditional chant.
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“Ladybird, ladybird, fly away home, for your house is on fire and your children will burn”

Exmoor: The Blue Ball Inn

Posted on October 19, 2010 by johnshortlandwriter

Autumn has been at its best the last week or so with blue skies and warm sunshine by day, the perfect weather for long walks. And afterwards, as the evening chill sets in, what can be better than to laze contentedly in front of a blazing log fire, losing your thoughts in the flickering flames? This is what I have been doing the past ten days.
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And where better than to do this than on Exmoor, the 270 square mile national park in England’s West Country? I have known this place for over 40 years and it’s dramatic scenery never tires with the passing years. The coastal area between Lynmouth and Porlock, where the open moorland meets clifftop and plunges 800 feet to the sea is the most dramatic of all. And the tiny village of Countisbury can lay claim, in my opinion, to have the best views on Exmoor.
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I made a decision when I started this blog that I would not go commercial – either for my own garden based business or for anyone else. Somehow, it just seems to put a different slant on your writing. However, I am always being asked where I stay on my Exmoor visits and I am more than happy to break the rule on this occasion. There can be no better place to spend your time than at the Blue Ball Inn, situated in the heart of the village.

The Blue Ball Inn, which dates back to the 13th century, was originally a coaching inn where horses and travellers rested after the exhausting 1 in 4 climb up Countisbury Hill from Lynmouth. Today it still welcomes travellers, whether it is for just a drink, a meal or to stay in one of their sixteen bedrooms.

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The building both inside and out is dominated by a vast and ancient inglenook fireplace and chimney, so big that you can look up it and see daylight. It is a great place to relax and unwind with a pint of locally brewed ale and is the hub of the inn.
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The bar, with its low ceilings, blackened beams and loads of character, is a busy area but there are also several other places to sit. Each has its own fireplace and comfortable chairs, ideal if you want to find a quieter space to read or plan the next day’s walks.
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It is not just the beer that is produced locally. The restaurant, which serves food all day, is committed to offering a wide choice of menu, much of it sourced from the area – they even rear their own rare breed pork. During my stay, I never once had the same meal twice (although I wish it would have been possible to have forced down a second helping of their spare ribs they were so delicious). The chips are the best in Britain. By the time dinner was over, I was usually too tired to continue drinking in the bar and would disappear to bed. The bedrooms, which have all the usual facilities, are comfortable and clean and, after so much exercise and fresh air, sleep guaranteed.

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Awake and refreshed and after a hearty breakfast, walks can start from the door and can vary in both their length and the steepness of hill. Ours varied from twenty minutes to five or six hours. With instant access to heather moorland, ancient woodlands, rushing rivers and the spectacular clifftop walks with its views across the sea to Wales, you are spoilt for choice. (Exmoor is, of course, great dog walking country and the Blue Ball welcomes them too). If you are lucky and walk quietly, there is a very good chance that you will see the wild Exmoor ponies or the herds of Red Deer – we saw both within a mile of the pub.
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But it is not just good food and drink, comfortable rooms or amazing views that make a good holiday. It is people. Phil, Jackie and son Nick, the owners of the Blue Ball, and all of their staff without exception, do everything possible to ensure that your stay is memorable. The ‘locals’ too, for this is still very much the village pub, are very welcoming and friendly – where else would you meet someone who lends you a book to return “when you next come down”? And I have never spent such a riotous evening as with them all at the Harvest auction, held in the pub. Apart from bidding for a crate of the local beer, I also have managed to get a days hawking on neighbouring Dartmoor. I was too slow to get a day’s salmon fishing on the local Lyn river – but that, of course, gives me an excuse to visit again next year. I have already booked!

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Life Behind Baas: A Story of Sheep Betrayal

Posted on October 6, 2010 by johnshortlandwriter

I love sheep! There is something about them. They are supposed to be stupid but I’ve known some clever ones in my time (like I’ve known lots of people who claim to be clever …..). They have exquisite faces, full of charm with a look in their eyes that just beg for a little more human understanding.
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What more can I say about the joys of building a relationship with a sheep or, preferably, many sheep? They smell nice, especially when wet. They’re cuddly (when dry) once they’ve allowed you to become more intimate with them, an especial priviledge.
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They have lovely voices – varying in tone from deep bass through alto to soprano – and there’s usually quite a few castratos among them too. Each morning, as soon as I step outside into the garden, I am greeted by uplifted heads and welcoming bleats, a sort of dawn chorus, an ovine welcome to another day. And as I enter their field to feed the bantams who are kept there, they gather around me pushing and jostling to have their noses scratched, their ears rubbed and to tell me the latest gossip and goings-on in their sheepy world.
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Now there is one special reason that I haven’t mentioned yet about why I’m so fond of sheep: they taste great, well roasted with lashings of gravy and mint sauce. And that is the quandry. For the reason that these are here in the loveliest field in the secret valley is not for favouritism (as they think) – it is for the pot. And as they try to eat the poultry food I explain that they have no need for such processed feed, for they have the sweetest grass and the freshest river water, when replete they can rest in the shade of the finest trees, the secret valley can offer.
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As if to make me feel even more gulity, they wander off to the empty, upturned feeders. Somehow, even the fattest ones can get inside them. For them, life behind bars is nothing more than a defiant gesture: they little know that judgement has been passed and they have been sentenced to death.
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To end on an upbeat note, the tups have been put in with the stock ewes this week. Soon enough, the new season’s lambs will be born – something we always look forward too.
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First Signs of Autumn

Posted on September 29, 2010 by johnshortlandwriter

To quote from the Keats poem ‘To Autumn’, is rather cliched I know but it really is becoming the “season of mists and mellow fruitfulness” here in the secret valley. I have to admit until I decided upon the theme for this post that, although I had heard this line so many times before, I’d never read the poem. I suspect a large number of people would admit the same so I have included it here, in full, at the end.

Almost imperceptably, the leaves have started to turn colour although they are still more green than yellow, orange or red. The most noticeable sign of the new season has been the berries and other fruits. Despite the heavy, late spring frosts we had, it seems to be a bumper crop this year although I have heard that commercial crops of apples are down by 30%.

The river a few hundred yards downstream from our little stone cottage broadens to become a small lake, created 100 years ago to attract duck and fish for the pot. Invisible throughout the summer months because of the leafy shrubs that shield it, it gradually comes into view as the foliage withers and falls and the water levels rise with the winter rain. Then it gives us what one of our friends describes as “the best view from any bath(wash)room in England” – and it is! What can be more decadent than lying in the bath with a glass of wine in hand, watching the wild geese and swans flying in from who knows where, for we rarely see them during the summer months?

And it is the river and lake that tends to give us the mists on cool mornings. There is such a subtle difference between these mists and the fogs that are much more widespread across the country. We can recognise the difference instantly but how do we describe it in meaningful words? Perhaps mists drift to rise and fall as strands of it are caught on the slightest breeze, an uplifting experience for the soul, whereas fogs sit heavily both on the ground and on our spirits?

A few days ago, on such a misty morning, it was cool enough for a heavy dew to form transforming the scenery with its silver frosting. Cobwebs hung from every available perch: strands of wire, branches and twigs, even the dying flower stems of the wild plants were draped with them. The scene was of silence and stillness, no bird sang and even the brook seemed to gurgle and babble more quietly than normal, as if reluctant to wake the slumbering countryside.

As if to confirm the silence and emptiness of the landscape, even the new seasons swan, that I had admired on the lake the day before, had gone. Heavily in moult, all there was to confirm its arrival were white feathers slowly drifting on the surface saying “Hush! Be still. All is calm”.

To Autumn

Season of mists and mellow fruitfulness

Close bosom-friend of the maturing sun

Conspiring with him how to load and bless

With fruit the vines that round the thatch-eaves run;

To bend with apples the moss’d cottage-trees,

And fill all fruit with ripeness to the core;

To swell the gourd, and plump the hazel shells

With a sweet kernal; to set budding more,

And still more, later flowers for the bees,

Until they think warm days will never cease.

For Summer has o’er-brimm’d their clammy cells.
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Who hath not seen thee oft amid thy store?

Sometimes whoever seeks abroad may find

Thee sitting careless on a granary floor,

Thy hair soft-lifted by the winnowing wind;

Or on a half-reap’d furrow sound asleep,

Drows’d with the fume of poppies, while thy hook

Spares the next swath and all its twined flowers:

And sometimes like a gleaner thou dost keep

Steady thy laden head across a brook

Or by a cider-press, with patient look,

Thou watchest the last oozings hours by hours.

Where are the songs of Spring? Ay, where are they?

Think not of them, thou hast thy music too –

While barred clouds bloom the soft-dying day,

And touch the stubble-plains with rosy hue;

Then in a wailful choir the small gnats mourn

Among the river sallows, borne aloft

Or sinking as the light wind lives or dies;

And full-grown lambs loud bleat from hilly bourn;

Hedge-crickets sing; and now with treble soft

The red-breast whistles from a garden-croft;

And gathering swallows twitter in the skies.

A Walk Along the River Otter: Part 2

Posted on September 22, 2010 by johnshortlandwriter

The lower reaches of the river Otter turn from fresh water to brackish as the river joins the sea. At low tide, mud and salt flats are exposed creating a safe habitat for the hundreds of seabirds and waders that feed, breed or rest on migration there. This area, including its wildlife, I have written about earlier – it can be found by clicking here.

This post describes a walk a little further upstream where the river flows through fertile fields of wheat and where cattle and sheep graze in lush riverside meadows.

The river – which like our river in the secret valley – is really little more than a stream (or ‘brook’ as we say where I originate from – English dialect is another fascinating subject that I might write about one day!). One moment fast flowing, the next slow, but always crystal clear, the view is one of steep banks and stony bottom. It is here, in the shallower water, that the trout – huge in comparison with our tiny ones at home – sway in the current, waiting for food to be swept down towards them and their ever open mouths. At one place where the river runs across a steeply shelved weir, a salmon run has been built: a series of steps for the salmon to leap to reach the upper levels of the river for spawning after their long migration. Whether they still do, I do not know, for salmon stocks in England are dwindling fast.

Wood and water, just nothing but water and wood, for the crowds of visitors that explore the river close to the beach and form long queues at the ice cream stalls have all been left far behind. Now the sights, sounds and smells are only those of nature on this glorious late summer’s day. The trees are only just beginning to show a hint of the autumn to come but, somehow, their berries have already stamped their mark on the autumn landscape, glowing in and reflecting the sun’s warmth.

Along the river bank, swamping much of the native flora, the Himalayan Balsam is giving a final explosion of colour before the first frosts destroy them for another year. And explosion is the correct description of their bursting seed heads which throw the seed far and wide as they split open. Found in many damp places throughout the country, for its seeds are also dispersed by the movement of the water, the Himalyan Balsam is an unwelcome immigrant to Britain which is virtually impossible to control. A member of the Impatien family, its seedheads are similar to those of our familiar garden Busy Lizzie.

Along the final stretch of our walk, the river is backed by the same red sandstone cliffs that can be seen by the coast. How many millenia did it take for this gentle stream to cut its way through to its present level? My photography skills – or perhaps my patience – did not allow me to get shots of the kingfishers that darted up and down as a flash of azure along this reach of the river. High up in the rock face, their nesting holes (or were they the breeding sites of the sand martins that had already begun their long flight south to winter in Africa?) were more easily photographed.

The ten mile walk to the source of the Otter will have to wait for another visit to the West Country. Oh, and I nearly forgot to mention, otters can be found – but rarely seen – along the whole length of the river.

A Walk Along the River Otter: part 1

Posted on September 14, 2010 by johnshortlandwriter

The River Otter although not long in length – barely 20 miles from its source in the Blackdown Hills to the sea – is rich in wildlife. Mostly flowing through Devon, in Britain’s West Country, it rises just over the border in the county of Somerset. Passing through rich and fertile farmland it enters the English Channel at Budleigh Salterton where its estuary is protected from the sea by a large pebble bank. It is here that this walk begins.
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The mudflats, reedbeds and adjoining fields are all part of a relatively small nature reserve, backed by the town on one side and high red sandstone cliffs to the other. The whole area forms part of a World Heritage site for it is part of the English coastline known as the Jurassic Coast, famous for its rock formations, clear water and abundant fossils. The underlying stone of the Otter valley holds one of the most important aquifers in England supplying drinking water to 200,000 people (source: Wikipedia, where else do we go for this sort of infortmation?!).
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The birdlife, especially at this time of year as migration takes place, is spectacular. In my excitement in trying out my new telephoto lens, I forgot to take general views of the coastline and town. However, as tourism plays such an important part of the Devon economy, it is easy to visit and stay locally – it is well worth adding to your ‘places to visit’ list.
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There is no public access to the mudflats which means that the birds are relatively undisturbed. However, there are good footpaths along the edges and also hides, where it is possible to view the wildlife with the aid of good binoculars or camera. The Little Egret, below, was a rare visitor to England until very recently. Now, although still not often seen, they are more frequent and breed here. We have even had them occasionally visit us in the secret valley. The Canada Goose also was once a rare escapee from wildfowl collections – now they are seen everywhere and are one of our commonest geese.
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Glossy Ibis are an extreme rarity and thirteen had arrived here earlier a few days ago. If they were about they remained hidden from view. Strutting about – and unaware of how comical they look when away from water were a pair of Bar-tailed Godwits. These birds breed in Scandinavia and the Arctic and thousands pass through Britain on the migration back south with a few staying all year round but never breeding. Despite their numbers they are easily missed so being able to photograph this one was a real treat!
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Of all the birds to be seen that day, none were so plentiful yet so beautiful as this Mediterranean Gull. Or, at least, that is what I think it is. Living as I do, as far inland as is possible in the British Isles, my seabird identification skills are not as good as they might be. No matter, it had a grace unlike the majority of the gull family, yet I don’t think it was a tern. I wait to be corrected.

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Richard Long’s Extraordinary Land Art

Posted on September 2, 2010 by johnshortlandwriter

2I have found that there are no shades of grey when appreciation – or lack of it – of Richard Long’s art is discussed. It seems that either, like me, you are swept away by it or you just cannot see the point of it at all. Whilst respecting this latter point of view, I ask myself, “Does art have to have a point”? For me, of all art forms , Richard Long’s work demonstrates that beauty can be appreciated just for it’s own sake.
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British born (in Bristol, where he still lives and works), Richard Long studied art in both Bristol and London, giving his first solo exhibition in Germany in 1968, as he completed his studies. I imagine this is quite an achievement in itself. Since then he has exhibited regularly throughout the world.
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In the grounds of my ‘reincarnation’ house, I was fortunate to be involved in the placing of one of his slate circles (photo above). Sadly, I never met the great man himself, for I would have loved to have sat quietly and watched the stones being laid in place. My contribution was extremely modest: I only removed the turf and put down the base ready for the circle to be put in position. However, this did mean that the circle appeared as if by magic – and it has remained mysterious and magical ever since. And, as if by magic, the gaps between the stones have filled with leaves and debris and yellow lichens have started to colonise their surface.
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Regular readers of this blog will know of my fascination for stone in all its forms, whether it is the earliest standing stones (and we have our own ancient stone circle here in the Cotswolds, the Rollright Stones), the dry stone walls of the secret valley or placing stone in the garden. But Richard Long’s stone work is different to all of these for each piece is meticulously shaped and honed – or left in its natural state – and crafted into position. To really appreciate it, you have to become part of the landscape yourself. When you lie on the ground looking across the surface of his work, it takes on a completely new appearance and meaning.

When I first came to know and love Richard Long’s work, I little dreamt that one day it would inspire me to incorporate land art into one of my own designs. Attached to a beautiful old farmhouse, belonging to a client, is a small, almost bottle shaped, raised area of land surrounded by the remains of a twelfth century moat and mill stream. It is too wild an area in which to create a conventional garden so the plan is to keep it as a simple wild flower area. A very low serpentine turf coverd bank will draw the eye – and, hopefully, the visitor – towards the bottle neck. Careful planting will bring you unwittingly into a living willow tunnel and, at the far end where the land broadens once again, will be a circle. Not a stone circle this time but a meditation circle inspired by the photograph below of children playing. This photograph is from the artist’s (or is it sculptor’s?) website; all the remaining photo’s are mine taken at the reincarnation house. To be redirected there just click and make sure you look at both the Exhibitions and the Sculptures pages.

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As for my new design, work is due to commence at the end of this month and I shall report on progress some time in the future. One thing I am quite certain of is that I will not be asked to hold any exhibitions either in the UK or abroad!

2018 Update: to see more of Richard Long’s work or to view the latest exhibition venues visit his page on Artsy by clicking on the link here