Poets & poetry | Life in the English Cotswolds

Can there be a more delightful spot to linger than a bluebell wood in spring? The intensity of their colour when seen growing in their tens of thousands would hurt the eyes if not offset by the citrus green of the beech trees they favour growing under. With early morning sunlight filtering through the branches to strike the woodland floor below, both leaves of beech and ‘bell shimmer and sparkle in the clear light. As the forest warms the bluebells release their scent but not the heavy, redolent perfume that one might expect. Instead, a fragrance so soft and gentle that for a moment it seems to come from elsewhere; all too quickly it melts away, dispersed by the increasing heat.

Bluebells are one of the key indicator plants of ancient woodland, a term that refers to woodland that pre-dates AD1600, for their bulbs prefer to remain undisturbed where they can slowly establish huge colonies. Here, in the secret valley where they grow in hedge banks, they can be used to trace the line of an equally ancient drove road for it is thought that the hedgerows and trees that line it are remnants of Wychwood Forest. Over centuries, the boundaries of the Forest have shrunk as fields were created and the trees cleared for arable land or pasture. By leaving the field edges untouched the early farmers saved themselves both time and labour and in doing so preserved the bluebells that give me so much pleasure each spring. The drove road – primarily used for herding livestock long distances to market – passes our little stone-built cottage before diverting across open country. It is still used as a public right of way.

*Bluebells line the old drove road that passes my house*

Unsurprisingly for a plant that has been around from time immemorial, the bluebell has numerous regional names – Common Bluebell, English Bluebell, Fairy Bell, Wild Hyacinth to name a few. Perhaps the best has to be Granfer Giggles. In Scotland they are known as harebells although to an Englishman harebell would be a completely different plant that grows later in the summer when the bluebells have long ended. Even the Latin name which is supposed to prevent confusion has changed over time – it is now known as Hyacinthoides non-scripta. I much prefer the earlier name of Endymion non-sciptus, it sounds more attractive as well as having a romantic Greek legend attached to it. Illegal to dig up plants from the wild, bluebells are sometimes offered for sale from cultivated stock under either of these names.

*Occasionally you may find a white, or even a pink bluebell*

For such a well-loved plant – it has been voted England’s unofficial national flower – bluebells do not seem to feature much in poetry. They are frequently mentioned by name but no-one, as far as I can tell, seems to have written poems specifically about the plant. Perhaps it is because they are such a common sight and have none of the delicacy of the wild rose, the scent of the honeysuckle or the diminuity of wild thyme. Shakespeare, who seems to have written about absolutely everything (including thyme), only mentions it once: “the azur’d harebell” in Cymbeline. The Brontë sisters both wrote of bluebells but I’m not sure they weren’t describing later flowering harebells. Emily’s description “waves in summer air”, and Ann talks of a single flower and of its trembling. Bluebells are quite a stiff flower that don’t wave or tremble that readily whereas Campanula harebells fit the description nicely. I can’t recall even my beloved Richard Jefferies, the Victorian naturalist, waxing lyrical over them as he did over so many other things. I may be wrong about this for I can hardly call myself a Jefferies’ scholar, more an enthusiast. However, Cicely Mary Baker created a delightful illustration of the flower in her set of Flower Fairies published in 1923 where she describes the bluebell as the king of flowers.

*The less-common Harebell – Campanula rotundifolia*
*It flowers later in the summer and in more open places*

It is to the Georgians that I have turned to illustrate our love of bluebells for I have found frequent references to them in old newspapers and periodicals not just in published poetry but also in their fashions. This description of the sumptuous gown worn by the Princess of Wales when attending the King’s Birthday in 1795 is worth reproducing here: “A gown of superb, embroidered crepe imitating the rays of the sun and intertwined with embroidered white lilies. Over which a cape of Venetian net embroidered with laurels and Diana’s (presumably the Goddess) crescent”. Finally, there was another over-cape “embroidered with bluebells (yes!) and held in place by rich cords and tassels”. As if this wasn’t splendid enough there was “a long train of silver gauze bordered in purple and silver”. Having spent twenty years in the world of fashion (before I switched careers to horticulture) this has sent me into overdrive! Sadly, I haven’t found any illustrations for this ensemble but I do have photos of the ‘draft’ for equally exquisite embroidery designed by Norman Hartnell for a robe for Queen Elizabeth II.

*Embroidery design by Norman Hartnell for Queen Elizabeth II*

Even earlier, in 1786, Mrs Charlotte Smith was publishing her sonnets. A remarkable woman for the age, she left an unhappy and violent marriage and campaigned for women’s rights and the abolition of slavery. She wrote fiction and poetry to financially support herself and her children. This sonnet reminds me so much of my youth where I roamed the bluebell beechwoods of the Chiltern Hills, for which they are renowned.

“Ah, Hills belov’d! where once a happy child,
Your beechen shades, your turf, your flowers among,
I wove your bluebells into garlands wild,
And woke your echoes with my artless song.
Ah! Hills, belov’d! your turf, your flowers remain;
But can they peace to this fad’ breast restore?
For one poor moment soothe the sense of pain,
And teach a breaking heart to throb no more?

I’m glad to say that my heart is no longer breaking so perhaps the bluebells worked their magic!

*A very old photo (hence the strange colour!) of me and my two deerhounds in a Chilterns beechwood at bluebell time*

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The days have been unseasonably dry and the nights exceptionally cold for April but day after day of unbroken sunshine has meant that it has been particularly good to be outdoors. The warmth tempered by a gentle north-easterly has created perfect walking conditions. However, as is so often the way, the day I chose to wander along the byways that criss-cross the border of Lincolnshire, one of England’s largest counties, and Rutland, England’s smallest, there was more cloud to be seen than for weeks.

*The Ford at Aunby – where the walk begins and ends*

My walk began at the ford by the tiny hamlet of Aunby, a few miles north of Stamford. Stamford has been described as “the most perfect stone town in England” as well as being voted the best place to live. It certainly is a beautiful place to explore with numerous, fine churches as well as a great Friday market and a wealth of independent shops. Whereas Stamford has prospered through the centuries, Aunby suffered a dramatic decline: in the fourteenth century there were numerous houses and a church; today, apart from a few cottages, they only show as cropmarks.

*Stamford Market before the crowds arrive…*

Heading north-west along a grassy bridleway, the path climbs gently until a narrow lane with wide, grassy verges is reached. One of the many roadside nature reserves in the county, the late spring meant that the only wildflowers to be seen were cowslips which grew in plentiful splendour. Following this lane uphill to the elaborate, black and gold entrance gates of Holywell Hall where I turned left, glimpses of the mansion could be seen through the hedgerow that lined the lane. Both the house and grounds are immaculately cared for although I admired most of all the winding path cut through a splendid swathe of dandelions in full bloom. Considered by many a nuisance ‘weed’ to be sprayed out rather than a wildflower to be kept, dandelions are a great source of early nectar for bees and other insects as well as looking beautiful in their own right.

Crossing the county border into Rutland my route immediately turned left onto a forest track to take me up to Holywell Wood and into Pickworth Great Wood. It was here that I met a local couple exercising their black Labrador dogs, the only people I saw on the whole of my eight-mile walk. They told me that the area was one of the largest woodlands locally as well as being a Site of Special Scientific Interest, designated for its geology as well as its wildlife – a fact confirmed by the NatureSpot website (click here for more information). The woodland path was lined with primroses, the trees just breaking bud and coming into leaf but, sadly, I was too early to hear the nightingales sing.

*Crossing into England’s smallest county*

Beyond the wood, the path crossed diagonally over unseasonably dry arable land to the village of Pickworth. It was at this point that I really felt that I was walking in Clare’s footsteps although we can safely assume that he knew most, if not all, of the paths that I would be taking that day. John Clare, the Peasant Poet, born into poverty and distraught by the destructive changes to the countryside and its people at that time, died in 1864 in the Northampton General Lunatic Asylum. It was at Pickworth where he laboured in the lime kiln which inspired him to write the poem The Ruins of Pickworth (click link here to read). The lime kiln still stands although it is barely visible through a thicket of blackthorn.

*No muddy boots this unseasonably dry Spring*…

*The barely visible lime kiln where the Peasant Poet, John Clare, toiled*

Pickworth, like Aunby, is another village that has almost disappeared. Thriving in the 1300s, it now has a population of less than a hundred. The only sign of the old village is the crumbling stone arch of the church and various grassy mounds and ruts in the surrounding fields. The arch stands on private property but with the help of the camera, details of ornate mouldings and leaves could be seen. It is thought that the Battle of Losecote Field in 1470 fought two miles from the village may have been the cause of its depopulation.

*All that remains of the old church at Pickworth is the 13th century arch*

Although the association of Pickworth with Clare is important, to visit the Church of All Saints was the main purpose for my walk. Built in 1822 at the bequest of Joseph Armitage of Wakefield, Yorkshire, it is a rectangular, stone building of plain beauty and fine proportion. Set high on a bank and surrounded by trees, the interior is simply lime-washed, the only colour a small amount of stained glass above the altar.

*The simple interior of All Saints, Pickworth*

*The understated beauty of the only stained glass at Pickworth*, *All Saints*

From Pickworth, an old drove road, The Drift, leads back towards Aunby by crossing Ryall Heath. The road, now another old track, offers pleasing views across arable land, hedgerows filled with wildflowers and the sound of skylarks showering you from high with their song. The Drift ends at the junction with the road that takes you directly back to the start of the walk (turn left here). Although the B4116 can be quite a busy road at times there are wide grass verges to make walking feel safe. Finally, you reach the ford at Aunby, where this walk began. Alternatively, a few yards before the ford you can take the lane that leads to Clematis Cottage, where I stayed for the duration of this oh-so-welcome-after-lockdown short break.

*Pickworth Drift, the old drover’s road leads across Ryall Heath*

*Pickworth Drift, an ancient drover’s road*

Clematis Cottages at Lodge Farm, Aunby is a small group of buildings converted into delightful, self-catering holiday accommodation. Richard and Kaye Griffin, friends as well as the owners, live in the farmhouse where they provide every comfort to make a stay enjoyable. Set in extensive gardens, their aim is to be self-sufficient in vegetables, eggs and honey. Throughout the gardens there are paths and seating areas – one of my favourites is the summerhouse overlooking the small lake, a haven for wildlife. Although set on its own and surrounded by fields, Stamford is only six miles away and the internationally renowned Rutland Water, where you can watch rare ospreys nest and fish, ten miles away. It’s also the perfect base for the nearby Burghley Horse Trials. To find out more about staying in one of the cottages and their range of home-produced chutneys, preserves and honey click this link here.

*A corner of the pretty gardens at Clematis Cottages, Aunby*

*A winding woodland path in the gardens of Clematis Cottages, Aunby*

*Deer are frequently seen in the fields adjacent to Clematis Cottages, Aunby*

Notes: the walk is a relatively easy and gentle route mostly along roads and tracks. In places the paths can be uneven and/or muddy but neither should deter anyone with average health and mobility. Although there are some inclines none are prolonged or steep. However, as always, care should be taken and appropriate clothing and footwear worn. It is approximately eight miles in length so allow a good three hours to complete.