Here, Take It, and Don’t Cry [Nadir Un Vayn Nisht]

Posted on April 15, 2023 by johnshortlandwriter

The evening of Sunday 8^th February 1942 saw an elite group of actors, writers and singers come together to celebrate the work of their friend and colleague, Jakub Obarzanek, then at the height of his fame as an editor, comic writer and satirist. Within months all of them would be dead, shot or gassed in the concentration camps of Poland, executed because of their Jewish heritage or political comment, or both.

*Invitation for the evening performance celebrating the work of Jakub Obarzanek, 1942*

Jakub was born on 15^th January 1891, probably in the city of Lodz where he lived for much of his life. The first son born to Samuel & Gitla, and into a comfortably off family, he would have been expected to follow in his father’s footsteps and work in the family business as a wholesale cloth merchant. However, Jakub had always wanted to write and in 1918 he published his first pieces of work – humorous songs and verses in the Lodzier Togblat, one of the premier Polish Jewish newspapers.

*Jakub Obarzanek standing left with three workmates, 1930s*

Writing always in Yiddish, and under the pen name ‘Ob-nek’, Jakub very quickly developed a following amongst his readers and soon joined the permanent staff, editing and writing for the Friday edition. As his talent develops, he begins writing sketches satirising everyday Jewish Street life which, again is eagerly read by a public wanting more. During this time, he also begins collaborating with various revue theatres writing witty sketches, songs and monologues. All was going well until 1939 when the Germans invaded Poland, arriving in Lodz on September 8th.

*Najer Folksblat newspaper, one of the publications Josef wrote for*

One of the first moves the Gestapo made was to arrest Jewish writers and intelligentsia and Jakub along with others was taken to Radogoszcz, a factory now being used as a prison. It had no baths or kitchens. Almost immediately the killings began with the intelligentsia taken into nearby woods and shot. For reasons unknown, Jakub was freed in early 1940, possibly because a ransom of 150 marks would permit prisoners to be relocated to the Lodz Ghetto. However, sometime during 1940 he had made his way – or perhaps been taken – to Warsaw. Here, confined in the Ghetto he continues with his writing, helps to create a new revue theatre and providing them with material. The last we hear of Jakub is the evening performance celebrating his work.

*The Radogoszcz* *factory where Jakub was imprisoned and now a museum [Wikipedia]*

It is not known whether Jakub was present for the performance. My feeling is probably not. What we do know is that he was once again arrested and was finally executed during April 1943. Married to Mala, Jakub had a daughter, name sadly unknown, and two sons, Moshe and Simon. Mala and the girl perished in the death camps. Whether they died alongside Jakub is also unknown, or even if they were with him after he moved to Warsaw. Both Moshe and Simon survived the concentration camps but were very badly traumatised by their childhood suffering. They ended their days in Israel but I have little knowledge of whether they were able to lead a full and fulfilling life.

*Translated description of the invitation, 1942*

The performers at the celebration of Jakub’s work were, as mentioned celebrated artists of their day.

Zymra Zeligfeld – a famous singer of Yiddish folk songs – murdered in Treblinka Death Camp, 1942
Chana Lerner – actress and wife of Dawid Zajderman, tenor – murdered together 3^rd November 1943, Majdanek Death Camp
Symche Fostel – comic actor of International renown – murdered in Pontiatowa Death Camp, 1943
Jack Lewi – actor of International renown & close friend of Franz Kafka – murdered in Treblinka Death Camp, 1942

A(jzyk) Samberg – famous Jewish actor – murdered in Poniatowa Death Camp 1943 Prof (Icchak) Zaks – founded the Internationally renowned, 120-strong Icchak Zaks Chorus; researcher and translator of opera into Yiddish, and music teacher – murdered in Treblinka Death Camp, 1942

*l-r: Zymra Zeligfeld, Chana Lerner, Symche Fostel (centre), Icchak Zaks*
*all had been executed by the end of 1943* *[Wikipedia]*

Jakub, as has been shown, was a popular man, much admired by his friends and colleagues; he must have been a brave man too and not only with his satirical writing and working knowing that he was unlikely to survive the war. Earlier, just prior to WW1, my grandfather, Harry Obarzanek, Jakub’s younger brother had been living in England when he was conscripted into the Russian army (Poland at that time was part-under Russian control). Now in army camp in Ukraine, he wrote to Jakub telling of his anxiety of being away from his wife for three years. Jakub arrived bringing false papers, civilian clothes and a ticket to England and helped Harry abscond whilst on duty. If they had been caught both would have been shot. If it hadn’t been for my great-uncle Jakub’s help, perhaps my own family would have suffered the same terrible fate as Jakub’s. A humbling thought. I hope that with my writing, I have given Jakub the voice that was so very nearly lost, and that it is an adequate tribute to our brave and witty family hero.

*Brothers: my grandfather, Harry (left) & my great-uncle Jakub Obarzanek*

How appropriate it seems that I am able to write about Jakub’s life and publish it on the 80^th anniversary of his death. A very special thanks to Chaya Bercovici who saw my initial Facebook plea for information relating to Jakub and, by some miracle, remembered hearing of my grandfather’s escape from Poland. Is it too fanciful that Jakub, knowing of this, might have said, “Nadir un vayn nisht”, “Here, take it, and don’t cry”, the words used as the title to his tribute evening?

A Walk by Stonehenge – part 1

Posted on March 21, 2023 by johnshortlandwriter

It is many years since I last visited Stonehenge, the prehistoric standing stones so closely attuned to the midsummer solstice. Renowned throughout the world, it has been listed as an UNESCO World Heritage Site since 1986. With fame comes numerous issues, not least how to cope with the estimated one million visitors that come to see them each year. To prevent damage to the stones through soil erosion and, surprisingly, physical damage through the chipping off of ‘mementos’, the stones are now cordoned off. This fencing is removed to allow access at the time of the midsummer solstice, a time when hundreds of people wait through the night for the midsummer sun to rise directly between the stones. The image below is of a postcard that my great-aunt sent me in 1963 when the stones were much less frequently visited and reminds me of those early years when I used to play amongst them.

*Stonehenge was far less visited back in the 1960s!*

The Stonehenge World Heritage Site covers an area that includes other Neolithic standing stones close by. A few miles away, and unlike Stonehenge, a place where you can walk amongst the stones every day of the year, is Avebury. This circle is huge and considerably older than Stonehenge: flint tools dating back 9000 years show that early man was passing that way 4000 years before Stonehenge was built. Avebury is the place to visit if you want to get close enough to touch the stones and it is also completely free to visit. To visit Stonehenge can be quite costly although there is another way you can see the stones (legally) without paying if you’re prepared to walk – see below.

*Avebury Stone Circle – part of the Stonehenge World Heritage Site*

The third site, and to my mind, the best one for you will almost certainly have the place to yourself, is known as Woodhenge & Durrington Walls. To be really impressed by this comparatively unknown place you do need to know some background information of its history plus a vivid imagination. For me, it is such an atmospheric place to visit that the latter has never been an issue! I recommend starting your walk here and walking inside the circle of Durrington Walls before exploring Woodhenge. The first thing that is noticeable about Durrington Walls is that there are no walls! The circular bank and ditch that surrounds the site was enormous and consisted of the bank itself which would have been several metres high. The ditch originally was over five metres deep and, in places, up to thirty metres wide. It is estimated that between four and six thousand people would have been needed to build the walls as well as the various houses and large timber circles associated with the site. A feat quite remarkable nowadays let alone over four thousand years ago using just antler pickaxes! Although nothing remains above ground now, apart from the bank, I found it very easy to imagine, as I walked alone and in silence, the bustle and noise of these industrious people.

*Within Durrington Walls, now a grassy bank, up to 6000 people once lived*

*Information boards help you to understand the context of what you are not seeing!*

Leaving Durrington Walls I made my way to the Cuckoo Stone, my only companions, sheep. Now fallen, this stone would originally have been placed upright. Looking at maps, it appears to be more, or less in line with the Great Cursus (more about that below) which in turn leads to Stonehenge. The Cuckoo Stone, positioned 4000 years ago, continued to be ritually used into Roman times for in 2007, during archaeological excavation, a small building thought to be a shrine from that period was discovered.

*Close to the Cuckoo Stone a Roman shrine once stood*

Leaving the Cuckoo Stone, my path led to an old track edged by wildflowers humming with bees and butterflies and bringing me out at the top of the Cursus. The Cursus is another huge earthwork showing nowadays as a crop mark – two bright green stripes in an otherwise darker landscape. If you compare my photograph with the one of the information board (below), I was standing at the opposite end. In my image, the end of the Cursus can just be made out on the far horizon almost two miles distant. The purpose of the Cursus is unknown but thought to be ceremonial as it is again aligned to the summer solstice. It is even older than Stonehenge having been constructed several hundred years earlier.

*The two-mile long Cursus now only shows as two grassy green stripes*

*The Cursus is better understood from this aerial* *photograph*

Another good track took me due south before turning west to Old King Barrows and then back south to New King Barrows. Before leaving the Cursus I stood to watch the visitors to Stonehenge some long way off and thinking how lucky I was to have all of this unseen history of the World Heritage Site to myself with only the song of skylarks as company. More than five thousand years separated me from the Neolithic people yet surely, they must have stood here too and seen a similar picture as they made their way to join others already arrived, a humbling thought.

*A distant Stonehenge can be clearly seen from the Cursus*

The Old and New King Barrows consist of two groups, each of seven burial mounds so fourteen in total, separated by Stonehenge Avenue which is only visible as another cropmark. The Avenue linked Stonehenge to the River Avon almost two miles away and was, perhaps, another route the Ancients would have taken to reach the stones. Despite their name, the Old and New King Barrows date from the same time period, and also around the same as Stonehenge.

*One of the prehistoric burial mounds at Old King Barrows*

It was by the barrows that I turned back towards Woodhenge, the last part of my relatively short but extraordinarily rich walk, rich both in its views and its wildlife, as well as its history. As if to bring me almost up-to-date in time, the sound of an old-fashioned binder in an adjoining field was busy bringing in the harvest. Not quite twenty-first century but a common sight less than a hundred years ago.

*Harvesting wheat the old-fashioned way*

The final part of my walk to Woodhenge will be published shortly.

To visit Stonehenge for free involves a walk not dissimilar to this one. Park in Durrington village and take the public bridleway path (where it meets Fargo Road) directly south to Stonehenge. The path passes the stones within yards of the public viewing path so you will still be separated from the stones. Public footpaths continue southwards, criss-crossing an area rich in more barrows and other ancient earthworks. With the help of an Ordnance Survey map it should be quite possible to make a longer, circular walk.

**Click on any of the images to enlarge**

Three Very Special Cotswold Reasons – revisited

Posted on February 18, 2023 by johnshortlandwriter

Back in 2009 – which seems a lifetime ago now – I responded to a question posed by The Guardian newspaper and the English tourist authority: select three things that make a place very special. Naturally, I chose the Cotswolds and to my delight, my blog was just one of ten chosen and published by them to promote visits to this country. After fourteen years, I thought it time to take another look. Although the reasons still stand up well I’ve updated the photos and some of the text.

1. Space and Peace. I know this is technically two reasons but they are so interlinked that, in my mind, they only count as one. Besides, that way I can cram in an extra reason without appearing to cheat too much. The flat topped, rolling limestone hills that make up the Cotswolds offer far reaching views to the vales beyond. They free the mind and let the spirit wander – a rare occurrence in the busy world we all inhabit. This view looks north over glorious country to the Vale of Evesham and just invites you to start walking towards a distant goal.

Hidden in deep valleys, crystal clear streams create more secretive places to explore or to sit quietly by their banks to watch the water flow, sometimes gently, sometimes more noisily, by.

The King’s Men stone circle forms part of the Rollright Stones and have been a meeting place since they were set here 4,500 years ago. In early morning light they appear mysterious and brooding but when the sun strikes them their colours and markings are awe inspiring. Rest here a while, at a time when you can be alone, for the feeling of peace is palpable.

And give back to the soil an offering, (when we have taken so much away), as others have done from the beginnings of time and continue to do so. Single flowers placed at the centre of the circle have a calm simplicity…

2. Nature. It is impossible not to be aware of nature in the Cotswolds, whether it is the magnificence of old trees, the deer crossing roads in front of you or the cloud formations of our large skyscapes. This ancient ash tree has watched centuries of agricultural change take place and, despite modern farming practice, still stands proud in a hedgerow dividing wheatfields. In 2009 the fungal disease Ash Dieback was unknown. It is now thought that the majority of ash trees will succumb to it robbing the English landscape of their beauty. At present, the old pollard seems unaffected but whether it will survive only time will tell.

Since 2009 we have all become so much more aware of the value of dark skies. With so few big towns, the Cotswolds is a place where the nights are darker and the stars shine more brightly.

Deer are common throughout the Cotswolds. Roe and the introduced Muntjac are frequently seen but perhaps the prettiest, when in their spotted summer coats, are the Fallow.

In our rivers and streams, otters, although rarely seen, are now becoming evermore common – something else that has happened since 2009.

There are some exotic surprises too! A macaw outside a garage in Charlbury and alpaca seem to be everywhere, I wrote in 2009. The macaw has gone and even alpaca seem less common now but not far from the secret valley it is possible to see wolves and bear. I don’t think the two facts are connected!

3. History. The Cotswolds are steeped in history and it is the history of wealth and the power it brings. Sheep – or more accurately, their wool – were the originators of this wealth and the region still has a higher population of sheep to humans. But how to illustrate this when there is so much scope to choose from? Bliss Mill, in Chipping Norton, is now converted to luxury apartments but, for most of its time, produced some of the finest tweeds in Britain. I have since written in more detail of the history of the mill, the fire that engulfed it and the strike by the workers that brought poverty and starvation to the town (link here).

The churches of the Cotswolds were also a by-product of wool – the wealth it created is often shown by their huge size in proportion to the numbers of the local population. The photos I originally published were of St Mary’s, Chipping Norton. The ones below are of St Mary’s, Swinbrook; the village was the home of the famous (or, perhaps, infamous), Mitford sisters.

*In 1940 the church suffered damage by a stray German bomb during WW2*…

*…the vicar collected the ancient shattered glass* *which was incorporated into this memorial window*

So, come and visit the Cotswolds and decide for yourself. And, in the meantime, select three things that make your special place, special.

Winter Pruning of Limes, Hazels & Dogwoods

Posted on January 14, 2023 by johnshortlandwriter

Hard pruning takes courage and gardeners are often reluctant to carry it out for fear of harming or, even worse, killing the plant. Once it is understood that more trees and shrubs are lost through neglect than by pruning the task becomes somewhat easier. In far too many gardens woody plants are grubbed out because they have outgrown their allotted space when judicious pruning at an earlier stage of their life would have allowed them to thrive and give pleasure for many more years.

*Outgrown its space? Don’t remove it, prune it!*

January and February are the perfect months for carrying out coppicing and pollarding and some shrubs like willow and dogwoods, grown for the winter colour of their bark, are actually improved by the process. Coppicing and pollarding are traditional techniques that have been carried out for centuries in woods and forests to provide a plentiful supply of fuel and fencing materials. As with all procedures, jargon evolves and coppicing and pollarding are just words that describe the removal of branches back to the tree trunk (coppicing) or, in the case of pollarding, the removal of stems to ground level. Somehow, if you just say to yourself, “cut off every branch” the mystery of the process disappears and becomes less intimidating.

*Willows – some newly pollarded line a riverbank*

Limes (Tilia) are very beautiful when grown as full-sized trees but become far too large for most gardens. They are better planted as parkland trees in a field, if you are lucky enough to own one, where there stature and grace can be appreciated from a distance. Too often they are grown where their branches overhang driveways where they drop their sticky honeydew over vehicles and become a nuisance. Most limes are host to tens of thousands of aphids (greenfly) which feed on its sap and then secrete the unwanted waste. Somehow, the gardener’s jargon word ‘honeydew’ sounds so much nicer than ‘greenfly crap!’ If you are determined to plant a lime tree in a confined space the Caucasian Lime, Tilia x euchlora which doesn’t have this problem is the one to go for. Remember that any tree in a confined space will need its size controlled so read on to find out how to pollard it.

*Limes, when mature, are beautiful but very large trees*

The time to pollard a tree is winter and January, when there isn’t too much to do gardening-wise, is the perfect month. I always aim to complete by the 31st which allows time to continue into February, if need be. By the middle of that month the sap will be starting to rise within the tree so it is sensible to complete the task by then. It is very straightforward to remove the branches for which you will need secateurs for smaller twigs, loppers for larger ones and a sharp pruning saw for anything bigger still. Which tool to use when? That too is easy to know. Secateurs and loppers should cut through the stems easily – if you need to twist the tool or the stem, you should be using the saw.

*By midsummer there is plenty of new growth on this old willow pollard*

Common sense will tell you that if you remove all branches from a tree there will be nothing left to offer any screening. This isn’t always important and coppiced trees send out new growth very rapidly as the weather warms up. However, for privacy or a different ornamental effect more careful pruning is required. All that needs to be done is to cut back any branch or twig that has grown beyond the space you have allocated for it.

*A pollarded lime allee provides drama and a focal point*

*This lime allee has had its side branches retained to give denser summer screening*

Limes are not often grown for the colour of their winter twigs probably as they are up rather high and so less noticeable. Willows (Salix) (when coppiced, for they can also be pollarded) and dogwoods (Cornus) are very different for their bright yellow, orange or scarlet stems are very visible and a mainstay for any winter garden. They are also quite simple to prune as it is all carried out at ground level. When the plants are mature, I prefer to cut them over a three year period as this retains their overall height. Quite simply, it means that only a third of the stems are removed or, if you have plenty of shrubs, completely prune one in every three to their base. The purpose behind this pruning is not so much to control their size but to maintain the strength of colour which is at its best on younger shoots. If left, they gradually become quite dull.

Hazels are treated very much like willows and dogwoods, although the usual purpose is purely to maintain a convenient size or to provide ‘pea sticks’ to be used for supporting summer plants as well as peas and beans. For guidance take a look at my earlier post from 2021 which can be read by clicking on the link here.